From celebrating its centenary to launching its new global headquarters, 2019 has been a big year for IAAPA. Tom Anstey speaks to Amanda Thompson, the organisation’s new chair for 2020, as IAAPA’s leadership team maps out its plans for the century ahead
By Tom Anstey | Published in Attractions Management 2019 issue 4
Amanda Thompson has been managing director of Blackpool Pleasure Beach since 2004
Amanda Thompson / Incoming IAAPA Chair
Amanda Thompson is only the third female to chair IAAPA in its history. The Managing Director of Blackpool Pleasure Beach in the UK since 2004, Amanda has set her sights on the year ahead as IAAPA continues to evolve and grow under new leadership.
What’s your background? I first worked in the amusement park industry at the age of seven. I was desperately in love with the thought of owning a pony, so I was put to work on our pony ride at Blackpool Pleasure Beach so I could learn to look after one. After that my life in the amusement park industry stopped and I became a guest for the next few years. When I was 14 or 15, I spent a summer holiday handing out certificates on the Revolution and my love for the industry began again. Next I worked in Blackpool and in the US within the entertainment sector and when I was 20 years old, I began a new company, Stageworks Worldwide Productions, which took shows out into the world of amusement parks, theatre and television.
I worked in Myrtle Beach producing shows at our park, Magic Harbour, then I worked for 13 years at Europa Park producing their ice show, followed by work at Liseberg, Siam Park, Boudewijn Park, Efteling and many many parks in Europe and of course Blackpool Pleasure Beach. I worked all over the UK taking shows to theatres and I worked for IAAPA on the What’s New Theatre and the closing events. I’ve also done television work for the Royal Variety Performance and all types of shows all over the world.
Do you have any key goals for your year as IAAPA chair? To unite the amusement park world with safety, security and sustainability.
You will become only the third woman to chair IAAPA in its 100-year history, how important is that? It’s particularly important because I’m the first European woman and it’s been a while since a woman has chaired the association. Hopefully I can encourage more women to step up to the plate and take on the role of chair.
What excites you most about the industry? Change. Change is extremely exciting and our industry changes every day. We all have unique experiences in every park around the world, every single day.
You take over the chairship as a British theme park operator in the year of Brexit. How will that affect your operations at the park and how do you plan to help IAAPA’s British members through this uncertain period? I don’t know how any of us can respond to Brexit at the moment because no one knows what will happen, including the European government in Brussels and our government in the UK. Unfortunately it’s going to be one of those issues that you can’t plan for, that you have to hope that you can deal with when and if it happens.
Your predecessor, David Rosenberg, highlighted sustainability as a key issue. Is that something you want to continue to focus on? Yes, it’s a very important issue which will affect our industry so I intend to carry on the work that David has started.
Where can the industry improve? A weakness is definitely not having a global safety standard. This is something which needs to be addressed and that would be something I would love to see happen during my tenure.
How do you see the attractions industry changing in the coming years and what trends are emerging? People are going to want more experiences when they visit amusement parks. Virtual reality has become popular but I think it’s going to swing back and people are going to want more of a hands on experience, whether it’s a pop concert, going on a rollercoaster, or even eating. I think festivals and events within amusement parks will also become bigger and take on more importance.
Read more from this issue of Attractions Management magazine
View contents of Attractions Management 2019 issue 4
Interview: Yves Pépin
A man whose spectaculars have been
witnessed by billions, Yves Pépin
speaks about his trail-blazing career
Rides: Supersonic
We take a look at some of the most
significant ride openings around the world
Preview: Rulantica Rising
Germany’s top theme park is about to
launch a €180m addition with the opening of its long-awaited second
gate. Attractions Management looks
at Rulantica and how the new
waterpark addition is taking shape
Theme Parks: Parisian Magic
Daniel Delcourt and David Wilson
share more about Disney’s €2bn
expansion of Disneyland Paris
Promotional feature: Simworx Ltd
CEO, Terry Monkton, takes
us through the development of two unique projects, from conception to creation
Waterparks: Water World
Debrecen in Hungary is gaining an iconic
new addition – a US$30.1m waterpark
Promotional feature: WhiteWater
WhiteWater’s Una deBoer tells us
how the company maintains elite safety standards
in waterparks and the steps operators can take
to improve safety across the entire industry
Operations: Disaster Management
What can be learned from the experiences
of those unfortunate operators who have
had to react when disaster strikes?
Exhibitions: World Tour
Kath Hudson looks at the potential of the
pop-up and touring exhibition market
An opportunity to reimagine one of the UK’s most recognisable towers has been formally
opened by Rivington Hark, as St Johns Beacon invites operators and partners to shape its
next phase. [more...]
From celebrating its centenary to launching its new global headquarters, 2019 has been a big year for IAAPA. Tom Anstey speaks to Amanda Thompson, the organisation’s new chair for 2020, as IAAPA’s leadership team maps out its plans for the century ahead
By Tom Anstey | Published in Attractions Management 2019 issue 4
Amanda Thompson has been managing director of Blackpool Pleasure Beach since 2004
Amanda Thompson / Incoming IAAPA Chair
Amanda Thompson is only the third female to chair IAAPA in its history. The Managing Director of Blackpool Pleasure Beach in the UK since 2004, Amanda has set her sights on the year ahead as IAAPA continues to evolve and grow under new leadership.
What’s your background? I first worked in the amusement park industry at the age of seven. I was desperately in love with the thought of owning a pony, so I was put to work on our pony ride at Blackpool Pleasure Beach so I could learn to look after one. After that my life in the amusement park industry stopped and I became a guest for the next few years. When I was 14 or 15, I spent a summer holiday handing out certificates on the Revolution and my love for the industry began again. Next I worked in Blackpool and in the US within the entertainment sector and when I was 20 years old, I began a new company, Stageworks Worldwide Productions, which took shows out into the world of amusement parks, theatre and television.
I worked in Myrtle Beach producing shows at our park, Magic Harbour, then I worked for 13 years at Europa Park producing their ice show, followed by work at Liseberg, Siam Park, Boudewijn Park, Efteling and many many parks in Europe and of course Blackpool Pleasure Beach. I worked all over the UK taking shows to theatres and I worked for IAAPA on the What’s New Theatre and the closing events. I’ve also done television work for the Royal Variety Performance and all types of shows all over the world.
Do you have any key goals for your year as IAAPA chair? To unite the amusement park world with safety, security and sustainability.
You will become only the third woman to chair IAAPA in its 100-year history, how important is that? It’s particularly important because I’m the first European woman and it’s been a while since a woman has chaired the association. Hopefully I can encourage more women to step up to the plate and take on the role of chair.
What excites you most about the industry? Change. Change is extremely exciting and our industry changes every day. We all have unique experiences in every park around the world, every single day.
You take over the chairship as a British theme park operator in the year of Brexit. How will that affect your operations at the park and how do you plan to help IAAPA’s British members through this uncertain period? I don’t know how any of us can respond to Brexit at the moment because no one knows what will happen, including the European government in Brussels and our government in the UK. Unfortunately it’s going to be one of those issues that you can’t plan for, that you have to hope that you can deal with when and if it happens.
Your predecessor, David Rosenberg, highlighted sustainability as a key issue. Is that something you want to continue to focus on? Yes, it’s a very important issue which will affect our industry so I intend to carry on the work that David has started.
Where can the industry improve? A weakness is definitely not having a global safety standard. This is something which needs to be addressed and that would be something I would love to see happen during my tenure.
How do you see the attractions industry changing in the coming years and what trends are emerging? People are going to want more experiences when they visit amusement parks. Virtual reality has become popular but I think it’s going to swing back and people are going to want more of a hands on experience, whether it’s a pop concert, going on a rollercoaster, or even eating. I think festivals and events within amusement parks will also become bigger and take on more importance.
Read more from this issue of Attractions Management magazine
View contents of Attractions Management 2019 issue 4
Interview: Yves Pépin
A man whose spectaculars have been
witnessed by billions, Yves Pépin
speaks about his trail-blazing career
Rides: Supersonic
We take a look at some of the most
significant ride openings around the world
Preview: Rulantica Rising
Germany’s top theme park is about to
launch a €180m addition with the opening of its long-awaited second
gate. Attractions Management looks
at Rulantica and how the new
waterpark addition is taking shape
Theme Parks: Parisian Magic
Daniel Delcourt and David Wilson
share more about Disney’s €2bn
expansion of Disneyland Paris
Promotional feature: Simworx Ltd
CEO, Terry Monkton, takes
us through the development of two unique projects, from conception to creation
Waterparks: Water World
Debrecen in Hungary is gaining an iconic
new addition – a US$30.1m waterpark
Promotional feature: WhiteWater
WhiteWater’s Una deBoer tells us
how the company maintains elite safety standards
in waterparks and the steps operators can take
to improve safety across the entire industry
Operations: Disaster Management
What can be learned from the experiences
of those unfortunate operators who have
had to react when disaster strikes?
Exhibitions: World Tour
Kath Hudson looks at the potential of the
pop-up and touring exhibition market
A new immersive attraction designed to transport visitors into the final hours of ancient Pompeii
is preparing to open near the world-famous archaeological site in southern Italy.
Experience design company, BRC Imagination Arts, has completed a transition that sees founder
Bob Rogers pass ownership of the business to four long-serving senior executives, while
remaining actively involved with the company.
Movie Park Germany has opened a new Paramount Pictures-themed attraction as part of its 30th
anniversary celebrations, using immersive storytelling and adaptive reuse to reinforce the park’s
longstanding “Hollywood in Germany” positioning.
Therme Manchester’s 28-acre development, which will include interconnected glass pavilions
that measure 65,000sq m, will be the largest bathing and wellbeing attraction in the world once
complete, according to prof David Russell, CEO of Therme UK.
Efteling has opened Hooghmoed, a new family drop tower designed to broaden the appeal of its
recently launched Sirene Island themed area and introduce younger visitors to thrill attractions.
A proposed Puy du Fou development near Bicester and Universal Destinations and Experiences’
planned resort in Bedford are emerging as part of a wider transformation of the Oxford–
Cambridge Growth Corridor into a major centre for UK leisure and tourism inv
Shedd Aquarium has opened the Immersion Theater developed in partnership with SimEx-
Iwerks, as part of a wider strategy to enhance the guest experience and create additional
revenue opportunities.
The UK government has announced a temporary reduction in VAT on visitor attractions and
children’s meals as part of a summer cost-of-living support package designed to stimulate the
visitor economy and encourage family days out.
As designer Yinka Ilori prepares for his first solo gallery show in London, he speaks exclusively
to CLADmag about his mission to spread joy, the power of play, and his bold approach to using
colour (including the colours you won’t see in his work).
The government of Thailand is exploring plans for a THB300bn (£6.3bn, US$8.3bn)
entertainment complex in the country’s Eastern Economic Corridor (EEC), with officials
proposing a large-scale theme park and sports destination as part of a broader tourism and
economic development strategy.
An opportunity to reimagine one of the UK’s most recognisable towers has been formally
opened by Rivington Hark, as St Johns Beacon invites operators and partners to shape its
next phase. [more...]
