When it comes to being genuinely inclusive and welcoming to those with sensory needs, we must be open to feedback and not make assumptions. Listening is key
Houston Museum of Natural Science is a Certified Autism Center / Photo: Houston Museum of Natural Science
Over the past decade or so, the attractions industry has woken up to the fact that it must be more accessible, and it needs to reflect the diverse make up of the population it serves.
This issue, we interviewed a range of people working hard to make museums and attractions more inclusive and welcoming for people with sensory needs.
According to Kulturecity, a leading US non profit for those with invisible disabilities, one in six of us have a sensory need that could make a visit to an attraction overwhelming.
The people we spoke to for our feature on page 50 had some fantastic ideas about how to make museums and attractions more welcoming, but by far the most powerful comments were from Emily Elsworth, an autism advocate and trainer who was recently diagnosed as autistic at the age of 27.
As a child, Elsworth knew she found many attractions challenging, but she didn’t know why. Now, armed with her diagnosis, she’s working with museums and attractions to help improve accessibility.
Elsworth acknowledges how far we’ve come, with many venues working hard to welcome people with sensory needs. Detailed information on websites, sensory backpacks, properly trained staff and calmer, quieter sessions can help, but there’s still a long way to go.
Elsworth cited a recent visit to a UK zoo, which claimed on its website to be fully accessible. When she stepped off the bus, she was greeted with blaring music and staff shouting information. The ticket gate and entrance was confusing and the maps had bright backgrounds that made them hard for her to read.
Another issue highlighted by Elsworth is the gap in support for adults with sensory needs.
“There seems to be a perception that only children have sensory needs,” she says. “We need acknowledgement that those needs don’t end when you turn 18.”
The main message is not to make assumptions about what visitors want – instead consult with the people you’re welcoming.
“Don’t be scared,” says Elsworth. “There are so many positives to bringing a whole new group of people into your venue that you’ll miss out on if you don’t make those changes.”
Magali Robathan, editor
Read more from this issue of Attractions Management magazine
View contents of Attractions Management 2022 issue 2
Editor's letter: Open for all
We must listen to the communities we’re trying to serve if we’re going to make attractions inclusive for everyone, says Magali Robathan
Interview: Chris Mather
As the Gretna Green Experience opens in Scotland, Mather & Co’s CEO shares the highs and lows of almost three decades in exhibition design
Waterparks: Down to earth
The world’s first ‘living waterslides’, a hydroponic farm, rooftop beehives and more than 1,500 trees – all part of the Therme Manchester next generation waterpark’s aims to be as green as possible
Museums: Gardens of the future
Dubai’s new Museum of the Future has opened with a bang. We look at how the innovative landscaping aims to support the museum’s message
Technology: A whole new world
The metaverse is coming, and the attractions industry needs to pay attention. Lesley Morisetti explores the challenges and opportunities
Immersive art: In the picture
Van Gogh: The Immersive Experience is part of a massive trend promising to offer new perspectives on art and artists
Awards: Museums & Heritage Awards
As the Oscars of the museum world celebrate the best, brightest and most creative, we take a look at this year’s winners
Tourism: The winds of change
Attractions providers not willing to take risks and get truly creative will get left behind, says Dr Terry Stevens. Here’s how to stay ahead of the curve
Research: A sustainable future
Research shows that consumers want attractions to get greener, faster, and they’re actively pushing for change. BVA BDRC’s Jon Young talks us through the numbers
An opportunity to reimagine one of the UK’s most recognisable towers has been formally
opened by Rivington Hark, as St Johns Beacon invites operators and partners to shape its
next phase. [more...]
When it comes to being genuinely inclusive and welcoming to those with sensory needs, we must be open to feedback and not make assumptions. Listening is key
Houston Museum of Natural Science is a Certified Autism Center / Photo: Houston Museum of Natural Science
Over the past decade or so, the attractions industry has woken up to the fact that it must be more accessible, and it needs to reflect the diverse make up of the population it serves.
This issue, we interviewed a range of people working hard to make museums and attractions more inclusive and welcoming for people with sensory needs.
According to Kulturecity, a leading US non profit for those with invisible disabilities, one in six of us have a sensory need that could make a visit to an attraction overwhelming.
The people we spoke to for our feature on page 50 had some fantastic ideas about how to make museums and attractions more welcoming, but by far the most powerful comments were from Emily Elsworth, an autism advocate and trainer who was recently diagnosed as autistic at the age of 27.
As a child, Elsworth knew she found many attractions challenging, but she didn’t know why. Now, armed with her diagnosis, she’s working with museums and attractions to help improve accessibility.
Elsworth acknowledges how far we’ve come, with many venues working hard to welcome people with sensory needs. Detailed information on websites, sensory backpacks, properly trained staff and calmer, quieter sessions can help, but there’s still a long way to go.
Elsworth cited a recent visit to a UK zoo, which claimed on its website to be fully accessible. When she stepped off the bus, she was greeted with blaring music and staff shouting information. The ticket gate and entrance was confusing and the maps had bright backgrounds that made them hard for her to read.
Another issue highlighted by Elsworth is the gap in support for adults with sensory needs.
“There seems to be a perception that only children have sensory needs,” she says. “We need acknowledgement that those needs don’t end when you turn 18.”
The main message is not to make assumptions about what visitors want – instead consult with the people you’re welcoming.
“Don’t be scared,” says Elsworth. “There are so many positives to bringing a whole new group of people into your venue that you’ll miss out on if you don’t make those changes.”
Magali Robathan, editor
Read more from this issue of Attractions Management magazine
View contents of Attractions Management 2022 issue 2
Editor's letter: Open for all
We must listen to the communities we’re trying to serve if we’re going to make attractions inclusive for everyone, says Magali Robathan
Interview: Chris Mather
As the Gretna Green Experience opens in Scotland, Mather & Co’s CEO shares the highs and lows of almost three decades in exhibition design
Waterparks: Down to earth
The world’s first ‘living waterslides’, a hydroponic farm, rooftop beehives and more than 1,500 trees – all part of the Therme Manchester next generation waterpark’s aims to be as green as possible
Museums: Gardens of the future
Dubai’s new Museum of the Future has opened with a bang. We look at how the innovative landscaping aims to support the museum’s message
Technology: A whole new world
The metaverse is coming, and the attractions industry needs to pay attention. Lesley Morisetti explores the challenges and opportunities
Immersive art: In the picture
Van Gogh: The Immersive Experience is part of a massive trend promising to offer new perspectives on art and artists
Awards: Museums & Heritage Awards
As the Oscars of the museum world celebrate the best, brightest and most creative, we take a look at this year’s winners
Tourism: The winds of change
Attractions providers not willing to take risks and get truly creative will get left behind, says Dr Terry Stevens. Here’s how to stay ahead of the curve
Research: A sustainable future
Research shows that consumers want attractions to get greener, faster, and they’re actively pushing for change. BVA BDRC’s Jon Young talks us through the numbers
A new immersive attraction designed to transport visitors into the final hours of ancient Pompeii
is preparing to open near the world-famous archaeological site in southern Italy.
Experience design company, BRC Imagination Arts, has completed a transition that sees founder
Bob Rogers pass ownership of the business to four long-serving senior executives, while
remaining actively involved with the company.
Movie Park Germany has opened a new Paramount Pictures-themed attraction as part of its 30th
anniversary celebrations, using immersive storytelling and adaptive reuse to reinforce the park’s
longstanding “Hollywood in Germany” positioning.
Therme Manchester’s 28-acre development, which will include interconnected glass pavilions
that measure 65,000sq m, will be the largest bathing and wellbeing attraction in the world once
complete, according to prof David Russell, CEO of Therme UK.
Efteling has opened Hooghmoed, a new family drop tower designed to broaden the appeal of its
recently launched Sirene Island themed area and introduce younger visitors to thrill attractions.
A proposed Puy du Fou development near Bicester and Universal Destinations and Experiences’
planned resort in Bedford are emerging as part of a wider transformation of the Oxford–
Cambridge Growth Corridor into a major centre for UK leisure and tourism inv
Shedd Aquarium has opened the Immersion Theater developed in partnership with SimEx-
Iwerks, as part of a wider strategy to enhance the guest experience and create additional
revenue opportunities.
The UK government has announced a temporary reduction in VAT on visitor attractions and
children’s meals as part of a summer cost-of-living support package designed to stimulate the
visitor economy and encourage family days out.
As designer Yinka Ilori prepares for his first solo gallery show in London, he speaks exclusively
to CLADmag about his mission to spread joy, the power of play, and his bold approach to using
colour (including the colours you won’t see in his work).
The government of Thailand is exploring plans for a THB300bn (£6.3bn, US$8.3bn)
entertainment complex in the country’s Eastern Economic Corridor (EEC), with officials
proposing a large-scale theme park and sports destination as part of a broader tourism and
economic development strategy.
An opportunity to reimagine one of the UK’s most recognisable towers has been formally
opened by Rivington Hark, as St Johns Beacon invites operators and partners to shape its
next phase. [more...]
