The design for the vast museum is by architects Heneghan Peng / Photo: Grand Egyptian Museum
New images of the long-awaited Grand Egyptian Museum (GEM) in Giza have been released, ahead of its planned opening later this year.
When it (finally) opens, GEM will be the largest archaeological museum complex in the world, spanning 5.2 million square feet and housing more than 100,000 artefacts. Highlights will include King Tutankhamun’s entire treasure collection comprising 5,000 items, as well as items dating from pre-historic times through to the Greek and Roman periods of Egyptian history.
The completion of the museum has been delayed many times – plans were first announced by the Egyptian government back in 1992 and Ireland-based architects Heneghan Peng were awarded the contract to design the museum in 2003. Construction began in 2005, but the project was delayed by the Arab Spring crisis, the COVID-19 pandemic and the Israel-Gaza conflict.
The Japan Bank for International Cooperation has provided two loans totalling 84.2bn Japanese Yen (around $800m) to fund the development of the museum, with the remaining funds coming from the Egyptian government and donations.
In 2010, Hill International was selected by the Egyptian Ministry of Culture to provide project management services during the GEM’s construction.
The museum recently achieved the World Bank’s IFC EDGE Advanced Green Building Certification, making it the first in Africa and the Middle East.
There is still no confirmed opening date, although the museum is expected to open towards the end of 2024. Certain sections of the museum are open to the public for limited guided tours with an advance reservation. The collections and exhibition areas are still closed and off-limits until the official opening.
Press Association journalist Ben Mitchell was invited to see the completed sections of the museum earlier this year.
Writing in an article published in The Independent, Mitchell described his first impressions of the museum interiors. “Once inside, I am greeted in the luxuriously vast lobby by the 3,200-year-old statue of Ramses II,” said Mitchell. “At 11 metres, it’s so tall that it had to be installed when the site was still a pile of sand, and the museum was then built around it.”
The tour began with a 360-degree immersive cinema experience, wrote Mitchell, “which pulls us back in time and into the legend of King Tut, taking us on a virtual journey to the Valley of the Kings and into his tomb, which is recreated in the vibrant yellows, reds and greens of the original hieroglyphics – as fresh as the day they were originally painted for his death in 1323BC.”
The tour saw visitors return to the lobby to ascend the museum’s Grand Staircase, where they were met with “an array of statues, sarcophagi and tablets, which tell the story of the kings and queens of Egypt.
“I reach the final level depicting the ages-old aim of all the kings – eternity, where [I was] faced with the entrance to a gallery dedicated to Tutankhamen, and a large window providing views of Giza’s three main pyramids,” said Mitchell.
At this stage, the visit ended, so we’ll have to wait to find out what the Tutankhamen gallery contains, as well as details of the rest of the museum – hopefully, we won’t have to wait too much longer.
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The design for the vast museum is by architects Heneghan Peng / Photo: Grand Egyptian Museum
New images of the long-awaited Grand Egyptian Museum (GEM) in Giza have been released, ahead of its planned opening later this year.
When it (finally) opens, GEM will be the largest archaeological museum complex in the world, spanning 5.2 million square feet and housing more than 100,000 artefacts. Highlights will include King Tutankhamun’s entire treasure collection comprising 5,000 items, as well as items dating from pre-historic times through to the Greek and Roman periods of Egyptian history.
The completion of the museum has been delayed many times – plans were first announced by the Egyptian government back in 1992 and Ireland-based architects Heneghan Peng were awarded the contract to design the museum in 2003. Construction began in 2005, but the project was delayed by the Arab Spring crisis, the COVID-19 pandemic and the Israel-Gaza conflict.
The Japan Bank for International Cooperation has provided two loans totalling 84.2bn Japanese Yen (around $800m) to fund the development of the museum, with the remaining funds coming from the Egyptian government and donations.
In 2010, Hill International was selected by the Egyptian Ministry of Culture to provide project management services during the GEM’s construction.
The museum recently achieved the World Bank’s IFC EDGE Advanced Green Building Certification, making it the first in Africa and the Middle East.
There is still no confirmed opening date, although the museum is expected to open towards the end of 2024. Certain sections of the museum are open to the public for limited guided tours with an advance reservation. The collections and exhibition areas are still closed and off-limits until the official opening.
Press Association journalist Ben Mitchell was invited to see the completed sections of the museum earlier this year.
Writing in an article published in The Independent, Mitchell described his first impressions of the museum interiors. “Once inside, I am greeted in the luxuriously vast lobby by the 3,200-year-old statue of Ramses II,” said Mitchell. “At 11 metres, it’s so tall that it had to be installed when the site was still a pile of sand, and the museum was then built around it.”
The tour began with a 360-degree immersive cinema experience, wrote Mitchell, “which pulls us back in time and into the legend of King Tut, taking us on a virtual journey to the Valley of the Kings and into his tomb, which is recreated in the vibrant yellows, reds and greens of the original hieroglyphics – as fresh as the day they were originally painted for his death in 1323BC.”
The tour saw visitors return to the lobby to ascend the museum’s Grand Staircase, where they were met with “an array of statues, sarcophagi and tablets, which tell the story of the kings and queens of Egypt.
“I reach the final level depicting the ages-old aim of all the kings – eternity, where [I was] faced with the entrance to a gallery dedicated to Tutankhamen, and a large window providing views of Giza’s three main pyramids,” said Mitchell.
At this stage, the visit ended, so we’ll have to wait to find out what the Tutankhamen gallery contains, as well as details of the rest of the museum – hopefully, we won’t have to wait too much longer.
Read more from this issue of Attractions Management magazine
View contents of Attractions Management 2024 issue 2
Interview: Sabrina de Carvalho
Changes are coming for Italian theme park Gardaland, with the launch of a major new attraction and an upcoming milestone. Its CEO lets us into the plans
Theme parks: Adventure unleashed
Some seriously exciting new rides and theme parks are taking shape across the globe. We highlight a few of our favourites
Immersive attractions: Sam Bompas
From fireworks displays that you can taste to a breathable cocktail cloud, Bompas & Parr redefine immersive experiences. We hear about their latest project
Technology: Beyond the rides
How can holographic technology be used to wow visitors and connect with audiences? We get an expert opinion
Talking point: Peak experiences
People are increasingly searching for experiences that transcend their daily lives. How can attractions create environments that spark joy and transformation?
Immersive attractions: Tom Lionetti-Maguire
In 2015, an unemployed actor caught the public mood when he launched the Crystal Maze Live Experience. Now the CEO of Little Lion is moving into the world of live video games
First person: Mastering the magic
When it comes to using architecture to evoke emotion in theme park design, none do it better than Disney, argues Justyn Smith. Here’s what we can learn from the magic-makers
OMA has completed a major transformation of New York's New Museum, creating a larger
cultural campus that combines expanded exhibition spaces with learning, performance,
hospitality and public programming.
A US$50 million (£44.2 million, €51.2 million) transformation of Chicago's historic McCormick
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private membership under one roof.
The Montana Historical Society has officially celebrated the opening of its new Montana
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Center, a US$107 million (£79 million, €92 million) destination that combines immersive
storytelling with cutting-edge audiovisual technology to bring the sta
San Antonio Zoo has reported a US$283 million economic impact for 2025, following a decade-
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attraction.
Plans for the AU$180 million redevelopment of Reef HQ Aquarium in Townsville, Australia, are
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Abu Dhabi-based investment firm Mubadala Capital has made a binding, fully financed
€1 billion
offer to acquire Pierre and Vacances SA, the European holiday resort operator behind the
continental European Center Parcs business.
Disney has reaffirmed its commitment to investing US$30 billion in its US parks and cruise
business by 2033, using new America250 celebrations to underline the role its attractions play
in supporting jobs, tourism and economic growth.
Expo 2030 Riyadh is being planned as a permanent visitor destination, with organisers
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The owner of one of Australia's best-known waterparks has acquired a major competitor,
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