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Bleeding edge glass technology is transforming the future of our buildings
POSTED 18 Feb 2016 . BY Kim Megson
In the future, will more buildings look like China's National Grand Theatre? Credit: Francisco Diez
A trio of high-profile architects have called on the design and construction industries to embrace advancements in glass technology which are transforming the ways in which buildings can be created.

Millennium Dome architect Mike Davies, Marks Barfield managing director David Marks and OMA associate Alex de Jong told CLAD that boundaries are being pushed in the development of glass, making the material cheaper, more sustainable and much higher performing.

“Glass is the most incredible material and we’re constantly discovering new ways of using it,” said Davies. “I’ve been speaking a lot with nanotechnologists about how you can now make glass more complex, and their work is so exciting.

“It can form dynamic and interactive skins and facades. It can be fitted with microchips to do everything from reading out data to transmitting energy. It’s a completely different game to simply glazing windows.

“I’m looking forward to the next generation of buildings. I can see a future of glass walls, display walls, energy collecting walls, radiators integrated into glass walls.”

David Marks – a lead architect on the Brighton i360 tower and the London Eye before it – told CLAD that “technology is finding a solution to some of the problems glass buildings have suffered in the past.”

“A lot of architects have said that the age of the glass building is over, but I don't believe that to be the case at all,” he said. “I think as a material it has a great future.”

Marks said that the advance in glass technology has been enormous since his studio created the London Eye in 2000. “That was state-of-the-art at the time, using single-glazed laminated safety glass for the pods,” he said. “On our Brighton project, the glass is double-glazed, much bigger and has many more features to it, such as inbuilt solar shading and hydrophilic coating. It has a much higher level of performance.”

De Jong, a project leader on OMA’s newly-opened glass-filled Timmerhuis project in Rotterdam, told CLAD that the increased sustainability and lower cost of glass is having a huge impact on what architects can achieve.

“Five years ago, we wouldn’t have been able to build something like the Timmerhuis in Holland,” he said. “The glass would have been too expensive and not developed enough. It is much more affordable now and it gives you both the daylight and the insulation you need – which is a huge factor for sustainability and energy consumption.

“On the Timmerhuis project it's particularly striking, because from a distance the triple-glazed glass looks very solid, like a metal cladding, but from inside it seems very open and you can hardly see it. There's a weird vocabulary going on, a doubling of what you can see and what it really is.”

De Jong said that the possibilities of glass are being pushed by the phone and car industries, with technology such as Gorilla Glass from touchscreen phones now being used to clad elevators.

“These kinds of thing cross-fertilise each other and can be very hi-tech to begin with, because they are developed on very small pieces of glass,” he said. “They can then be gradually scaled up and implemented in cars, then small buildings, then finally big-scale applications.

“Eventually, our industry will benefit from it.”

“Architects can achieve so much with glass” said Davies. “The opportunities are there to be taken.

“If you walked in a room and said ‘hey guys, I’ve got this great idea: a transparent stone which will last 1,000 years and is totally waterproof and non-polluting,’ first they wouldn't believe you, and then they would be desperate to get hold of some.

“But it is available and abundant and constantly developing.”
Buildings such as Frank Gehry's Louis Vuitton Foundation in Paris demonstrate the remarkable advancements that have been made in glass technology Credit: Iwan Baan
Glass features prominently in many of OMA's future projects, including The Factory cultural centre in Manchester Credit: OMA
David Mark's Brighton i360 tower features a glass pod created with extremely high-performing glass panels Credit: Kevin Meredith
The glass is always greener: OMA's Timmerhuis uses vast amounts of energy efficient glass in Rotterdam Credit: OMA
RELATED STORIES
  Work progresses on UK's first vertical cable car as i360 viewing pod is completed


The glass viewing pod for a vertical cable car billed as “the world’s tallest moving observation attraction” was completed yesterday (13 January) on the UK’s Brighton beach.
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  OMA design pixelated glass and steel mountain to house Rotterdam museum


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NEWS
Bleeding edge glass technology is transforming the future of our buildings
POSTED 18 Feb 2016 . BY Kim Megson
In the future, will more buildings look like China's National Grand Theatre? Credit: Francisco Diez
A trio of high-profile architects have called on the design and construction industries to embrace advancements in glass technology which are transforming the ways in which buildings can be created.

Millennium Dome architect Mike Davies, Marks Barfield managing director David Marks and OMA associate Alex de Jong told CLAD that boundaries are being pushed in the development of glass, making the material cheaper, more sustainable and much higher performing.

“Glass is the most incredible material and we’re constantly discovering new ways of using it,” said Davies. “I’ve been speaking a lot with nanotechnologists about how you can now make glass more complex, and their work is so exciting.

“It can form dynamic and interactive skins and facades. It can be fitted with microchips to do everything from reading out data to transmitting energy. It’s a completely different game to simply glazing windows.

“I’m looking forward to the next generation of buildings. I can see a future of glass walls, display walls, energy collecting walls, radiators integrated into glass walls.”

David Marks – a lead architect on the Brighton i360 tower and the London Eye before it – told CLAD that “technology is finding a solution to some of the problems glass buildings have suffered in the past.”

“A lot of architects have said that the age of the glass building is over, but I don't believe that to be the case at all,” he said. “I think as a material it has a great future.”

Marks said that the advance in glass technology has been enormous since his studio created the London Eye in 2000. “That was state-of-the-art at the time, using single-glazed laminated safety glass for the pods,” he said. “On our Brighton project, the glass is double-glazed, much bigger and has many more features to it, such as inbuilt solar shading and hydrophilic coating. It has a much higher level of performance.”

De Jong, a project leader on OMA’s newly-opened glass-filled Timmerhuis project in Rotterdam, told CLAD that the increased sustainability and lower cost of glass is having a huge impact on what architects can achieve.

“Five years ago, we wouldn’t have been able to build something like the Timmerhuis in Holland,” he said. “The glass would have been too expensive and not developed enough. It is much more affordable now and it gives you both the daylight and the insulation you need – which is a huge factor for sustainability and energy consumption.

“On the Timmerhuis project it's particularly striking, because from a distance the triple-glazed glass looks very solid, like a metal cladding, but from inside it seems very open and you can hardly see it. There's a weird vocabulary going on, a doubling of what you can see and what it really is.”

De Jong said that the possibilities of glass are being pushed by the phone and car industries, with technology such as Gorilla Glass from touchscreen phones now being used to clad elevators.

“These kinds of thing cross-fertilise each other and can be very hi-tech to begin with, because they are developed on very small pieces of glass,” he said. “They can then be gradually scaled up and implemented in cars, then small buildings, then finally big-scale applications.

“Eventually, our industry will benefit from it.”

“Architects can achieve so much with glass” said Davies. “The opportunities are there to be taken.

“If you walked in a room and said ‘hey guys, I’ve got this great idea: a transparent stone which will last 1,000 years and is totally waterproof and non-polluting,’ first they wouldn't believe you, and then they would be desperate to get hold of some.

“But it is available and abundant and constantly developing.”
Buildings such as Frank Gehry's Louis Vuitton Foundation in Paris demonstrate the remarkable advancements that have been made in glass technology Credit: Iwan Baan
Glass features prominently in many of OMA's future projects, including The Factory cultural centre in Manchester Credit: OMA
David Mark's Brighton i360 tower features a glass pod created with extremely high-performing glass panels Credit: Kevin Meredith
The glass is always greener: OMA's Timmerhuis uses vast amounts of energy efficient glass in Rotterdam Credit: OMA
RELATED STORIES
Work progresses on UK's first vertical cable car as i360 viewing pod is completed


The glass viewing pod for a vertical cable car billed as “the world’s tallest moving observation attraction” was completed yesterday (13 January) on the UK’s Brighton beach.
Glass-bottomed skypool suspended over void wins design contest for Paris


A glass-bottomed swimming pool connecting two matching skyscrapers has been named the winner of an ideas competition called Sky Pool Paris.
OMA design pixelated glass and steel mountain to house Rotterdam museum


The latest striking creation from the Office for Metropolitan Architecture (OMA) opens to the public today (11 December) in the Dutch city of Rotterdam.
Jürgen Engel wins competition for jutting, glass-clad Shenzhen Art Museum and Library


German studio KSP Jurgen Engel Architekten have been named as the design team for the new Shenzhen Art Museum and Library complex in China.
MORE NEWS
Efteling to convert steam trains to electric as part of green drive
The Everyday Heritage initiative celebrates and preserves working class histories
Off the back of the success of the first round of Everyday Heritage Grants in 2022, Historic England is funding 56 creative projects that honour the heritage of working-class England.
Universal announces long-awaited details of its Epic Universe, set to open in 2025
Universal has revealed it will be adding new Harry Potter attractions, alongside Super Nintendo and How to Train Your Dragon worlds to its Florida resort.
Heartbreak for Swedish theme park, Liseberg, as fire breaks out
A fire has destroyed part of the new water world, Oceana, at Liseberg in Sweden, and a construction worker has been reported missing.
Museum director apologises after comparing the city of Florence to a sex worker
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COMPANY PROFILES
Vekoma Rides Manufacturing B.V.

Vekoma Rides has a large variety of coasters and attractions. [more...]
Clip 'n Climb

Clip ‘n Climb currently offers facility owners and investors more than 40 colourful and unique Cha [more...]
TechnoAlpin

TechnoAlpin is the world leader for snowmaking systems. Our product portfolio includes all different [more...]
IDEATTACK

IDEATTACK is a full-service planning and design company with headquarters in Los Angeles. [more...]
+ More profiles  
CATALOGUE GALLERY
+ More catalogues  
DIRECTORY
+ More directory  
DIARY

 

08-08 May 2024

Hospitality Design Conference

Hotel Melià , Milano , Italy
10-12 May 2024

Asia Pool & Spa Expo

China Import & Export Fair Complex, Guangzhou, China
+ More diary  
 


ADVERTISE . CONTACT US

Leisure Media
Tel: +44 (0)1462 431385

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