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NEWS
Arts Council report defends funding setup
POSTED 28 Feb 2014 . BY Kath Hudson
Londoners fare better than regions for arts' spend
The Arts Council for England has responded to criticism that its funding is biased towards London, in a new report, This England: how Arts Council England uses its investment to shape a national cultural ecology.

An independent report, published last October, challenged the way ACE allocates funding, saying its bias towards London is unfair. “We should not accept the myth that money for London is money for the UK, “said one of the authors, David Anderson, president of the Museums Association and director general of Amgueddfa Cymru - National Museum Wales.

The ACE report shows that £41.30 a head is spent on the arts in London. Then it’s a sharp drop to £12.10 a head for the West Midlands, which is in second place. This region fares much better than its neighbour, East Midlands, which is at the bottom with £4.30. Neither the East, the North East, or the South West fare much better: they all receive less than £6 per head.

Despite the disparity shown in these figures, ACE argues that its funding is fair: “Our taxpayer-funded, grant-in-aid split is 60/40 in favour of regions outside London, a trend assisted by the inclusion of the funds dedicated to music education hubs and regional museums.”

ACE also argues that if the spending is analysed by a 20 mile radius around cities, rather than postcodes, then it is evident that there is a less marked variation between London and other centres. It argues that creating a critical mass of funding in cities is the optimum way to invest.

However, even if the funding is looked at in the way ACE prefers, London still takes a greater share than the rest of the UK.

The figures also exclude a number of national companies based in London, including Royal Opera, English National Opera, the Royal National Theatre and the Southbank Centre.

“The funding system is broken and the assumptions that have underpinned it for decades no longer apply,” says Anderson. “Rather than producing selective evidence in defence of inequity and pushing blame for the crisis onto local authorities, we need Ed Vaizey (Culture Secretary) and Alan Davey (ACE chief executive) to accept the need for fundamental change and come up with a funding model that recognises the vital role of local museums in their communities.”
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23-26 Aug 2026

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NEWS
Arts Council report defends funding setup
POSTED 28 Feb 2014 . BY Kath Hudson
Londoners fare better than regions for arts' spend
The Arts Council for England has responded to criticism that its funding is biased towards London, in a new report, This England: how Arts Council England uses its investment to shape a national cultural ecology.

An independent report, published last October, challenged the way ACE allocates funding, saying its bias towards London is unfair. “We should not accept the myth that money for London is money for the UK, “said one of the authors, David Anderson, president of the Museums Association and director general of Amgueddfa Cymru - National Museum Wales.

The ACE report shows that £41.30 a head is spent on the arts in London. Then it’s a sharp drop to £12.10 a head for the West Midlands, which is in second place. This region fares much better than its neighbour, East Midlands, which is at the bottom with £4.30. Neither the East, the North East, or the South West fare much better: they all receive less than £6 per head.

Despite the disparity shown in these figures, ACE argues that its funding is fair: “Our taxpayer-funded, grant-in-aid split is 60/40 in favour of regions outside London, a trend assisted by the inclusion of the funds dedicated to music education hubs and regional museums.”

ACE also argues that if the spending is analysed by a 20 mile radius around cities, rather than postcodes, then it is evident that there is a less marked variation between London and other centres. It argues that creating a critical mass of funding in cities is the optimum way to invest.

However, even if the funding is looked at in the way ACE prefers, London still takes a greater share than the rest of the UK.

The figures also exclude a number of national companies based in London, including Royal Opera, English National Opera, the Royal National Theatre and the Southbank Centre.

“The funding system is broken and the assumptions that have underpinned it for decades no longer apply,” says Anderson. “Rather than producing selective evidence in defence of inequity and pushing blame for the crisis onto local authorities, we need Ed Vaizey (Culture Secretary) and Alan Davey (ACE chief executive) to accept the need for fundamental change and come up with a funding model that recognises the vital role of local museums in their communities.”
MORE NEWS
Universal launches new theme park model with Kids Resort
Universal Destinations and Experiences has launched a new regional theme park model with the opening of Universal Kids Resort in Frisco, Texas.
San Antonio Zoo reports $283 million economic impact as expansion plans progress
San Antonio Zoo has reported a US$283 million economic impact for 2025, following a decade- long transformation programme that has seen almost US$200 million invested into the Texas attraction.
Great Barrier Reef attraction set for AU$180 million reinvention
Plans for the AU$180 million redevelopment of Reef HQ Aquarium in Townsville, Australia, are progressing, with the project set to transform the attraction into a global centre for reef education and conservation.
Mubadala makes €1 billion bid for Pierre and Vacances
Abu Dhabi-based investment firm Mubadala Capital has made a binding, fully financed €1 billion offer to acquire Pierre and Vacances SA, the European holiday resort operator behind the continental European Center Parcs business.
Disney confirms US$30 billion investment programme as it highlights its economic impact
Disney has reaffirmed its commitment to investing US$30 billion in its US parks and cruise business by 2033, using new America250 celebrations to underline the role its attractions play in supporting jobs, tourism and economic growth.
Expo 2030 Riyadh will create a permanent global destination
Expo 2030 Riyadh is being planned as a permanent visitor destination, with organisers confirming the six-million-square-metre site will become a Global Village after the event closes.
+ More news   
 
COMPANY PROFILES
TechnoAlpin Indoor

TechnoAlpin is the world leader for snowmaking systems. With the Indoor snow division, TechnoAlpin c [more...]
Sally Corporation

Our services include: Dark ride design & build; Redevelopment of existing attractions; High-quality [more...]
Taylor Made Designs

Founded in 1993, Taylor Made Designs supply corporate clothing and brand-enhancing merchandise to [more...]
Vekoma Rides Manufacturing B.V.

Vekoma Rides has a large variety of coasters and attractions. [more...]
+ More profiles  
CATALOGUE GALLERY
+ More catalogues  
DIRECTORY
+ More directory  
DIARY

 

23-26 Aug 2026

Elevate Spa Riviera Maya Edition

The Riviera Maya Edition Kanai, Playa del Carmen, Mexico
29 Sep - 02 Oct 2026

Synergy - The Retreat Show

Pical Resort, Valamar Collection, Porec, Croatia
+ More diary  
 


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Tel: +44 (0)1462 431385

©Cybertrek 2026

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