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People profiles
Steffen Kottkamp

Steffen Kottkamp, Director at MackCreative, MackMedia


Europa Park revitalised its oldest rollercoaster in September when it added a world-first to the ride experience – virtuality reality.

Up to 2,000 visitors per day can take the Alpenexpress VR-Ride, donning the wireless Samsung Gear headsets and launching into an immersive journey combining virtual reality with the real world experience of riding a rollercoaster.

Park mascot Ed Euromaus guides the VR adventure, featuring a ride on a mine cart and a lift on the wings of a dragon. Using precise synchronisation, the 3D animated world – produced by MackMedia, Europa Park’s in-house design and ideas engine – perfectly complements the coaster track.

Steffen Kottkamp, director of MackCreative (like MackMedia, a division of Mack Rides), says the technology can be applied to an old ride to reinvent it for a new audience, but that it has more significant applications.

“You have to imagine it as defining an area and in this area you can manipulate movement to appear how you want it to,” Kottkamp says. “We take the existing ride, unfold it and then put it back together again as a new ride, using every curve, ascent and descent of the track to add to the virtual experience. It’s a bit like driving or flying through a game, but here you feel the real movement. This is an immersive experience like you’ve never had before.”

The project was a collaboration between VR Coaster, Mack Rides, MackMedia and Samsung, and was developed with Thomas Wagner, professor in the department of Virtual Design at the University of Applied Sciences Kaiserslautern in Germany.

“It’s cheaper than building an entirely new coaster, but that’s not the aim of the technology,” says Kottkamp. “It can give an existing coaster a new lease of life, as we did with Alpenexpress. This is a first step, but there will be a lot of companies that decide to build a new coaster and integrate the technology from day one.”

Kottkamp says he thinks the solution will be somewhere in between.

“We didn’t invent the technology in order to give old coasters a new-world sensation,” he says. “We invented the technology to create a much higher level of experience, where we can create a ride bespoke for virtual reality.”

The revolutionary technology is being distributed by Mack Rides to the wider theme park market, and Kottkamp says there’s interest from multiple parties.

“We’re making a business model out of it – one that also takes care of the operational side, such as ride capacity, hardware hygiene and ticketing solutions.”

So does Kottkamp believe the rollercoaster, as we know it, is dead?

“The future of the rollercoaster lies in a combination of real physical forces and appropriate thematic content. Using VR, we can create a much more elaborate and interactive themed world,” he says.

Europa Park’s managing partner Roland Mack prepares to experience the ride
Passengers wear Samsung Gear VR headsets on the alpine-themed coaster
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Jobs    News   Products   Magazine   Subscribe
People profiles
Steffen Kottkamp

Steffen Kottkamp, Director at MackCreative, MackMedia


Europa Park revitalised its oldest rollercoaster in September when it added a world-first to the ride experience – virtuality reality.

Up to 2,000 visitors per day can take the Alpenexpress VR-Ride, donning the wireless Samsung Gear headsets and launching into an immersive journey combining virtual reality with the real world experience of riding a rollercoaster.

Park mascot Ed Euromaus guides the VR adventure, featuring a ride on a mine cart and a lift on the wings of a dragon. Using precise synchronisation, the 3D animated world – produced by MackMedia, Europa Park’s in-house design and ideas engine – perfectly complements the coaster track.

Steffen Kottkamp, director of MackCreative (like MackMedia, a division of Mack Rides), says the technology can be applied to an old ride to reinvent it for a new audience, but that it has more significant applications.

“You have to imagine it as defining an area and in this area you can manipulate movement to appear how you want it to,” Kottkamp says. “We take the existing ride, unfold it and then put it back together again as a new ride, using every curve, ascent and descent of the track to add to the virtual experience. It’s a bit like driving or flying through a game, but here you feel the real movement. This is an immersive experience like you’ve never had before.”

The project was a collaboration between VR Coaster, Mack Rides, MackMedia and Samsung, and was developed with Thomas Wagner, professor in the department of Virtual Design at the University of Applied Sciences Kaiserslautern in Germany.

“It’s cheaper than building an entirely new coaster, but that’s not the aim of the technology,” says Kottkamp. “It can give an existing coaster a new lease of life, as we did with Alpenexpress. This is a first step, but there will be a lot of companies that decide to build a new coaster and integrate the technology from day one.”

Kottkamp says he thinks the solution will be somewhere in between.

“We didn’t invent the technology in order to give old coasters a new-world sensation,” he says. “We invented the technology to create a much higher level of experience, where we can create a ride bespoke for virtual reality.”

The revolutionary technology is being distributed by Mack Rides to the wider theme park market, and Kottkamp says there’s interest from multiple parties.

“We’re making a business model out of it – one that also takes care of the operational side, such as ride capacity, hardware hygiene and ticketing solutions.”

So does Kottkamp believe the rollercoaster, as we know it, is dead?

“The future of the rollercoaster lies in a combination of real physical forces and appropriate thematic content. Using VR, we can create a much more elaborate and interactive themed world,” he says.

Europa Park’s managing partner Roland Mack prepares to experience the ride
Passengers wear Samsung Gear VR headsets on the alpine-themed coaster
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Numbers from the Association of Leading Visitor Attractions, (ALVA) show that Royal attractions saw a huge increase in visitor numbers during 2023 – the coronation year of King Charles III.
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The Everyday Heritage initiative celebrates and preserves working class histories
Off the back of the success of the first round of Everyday Heritage Grants in 2022, Historic England is funding 56 creative projects that honour the heritage of working-class England.
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Heartbreak for Swedish theme park, Liseberg, as fire breaks out
A fire has destroyed part of the new water world, Oceana, at Liseberg in Sweden, and a construction worker has been reported missing.
Museum director apologises after comparing the city of Florence to a sex worker
Museum director Cecilie Hollberg has come under fire for comparing the city to a sex worker due to uncontrolled mass tourism.
Populous reveals plans for major e-sports arena in Saudi Arabia
Populous have unveiled their plans for a state-of-the-art e-sports arena, designed to stand as a central landmark in Qiddaya City’s gaming and e-sports district, Saudi Arabia.
Raby Castle reveals ambitious plans to become a major visitor destination
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Tate Modern and Frame collaborate on a mind/body experience
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COMPANY PROFILES
QubicaAMF UK

QubicaAMF is the largest and most innovative bowling equipment provider with 600 employees worldwi [more...]
RMA Ltd

RMA Ltd is a one-stop global company that can design, build and produce from a greenfield site upw [more...]
TechnoAlpin

TechnoAlpin is the world leader for snowmaking systems. Our product portfolio includes all different [more...]
Alterface

Alterface’s Creative Division team is seasoned in concept and ride development, as well as storyte [more...]
+ More profiles  
CATALOGUE GALLERY
+ More catalogues  
DIRECTORY
+ More directory  
DIARY

 

08-08 May 2024

Hospitality Design Conference

Hotel Melià , Milano , Italy
10-12 May 2024

Asia Pool & Spa Expo

China Import & Export Fair Complex, Guangzhou, China
+ More diary  
 


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