Steffen Kottkamp, director at MackCreative, MackMedia
Europa Park revitalised its oldest rollercoaster in September when it added a world-first to the ride experience – virtuality reality.
Up to 2,000 visitors per day can take the Alpenexpress VR-Ride, donning the wireless Samsung Gear headsets and launching into an immersive journey combining virtual reality with the real world experience of riding a rollercoaster.
Park mascot Ed Euromaus guides the VR adventure, featuring a ride on a mine cart and a lift on the wings of a dragon. Using precise synchronisation, the 3D animated world – produced by MackMedia, Europa Park’s in-house design and ideas engine – perfectly complements the coaster track.
Steffen Kottkamp, director of MackCreative (like MackMedia, a division of Mack Rides), says the technology can be applied to an old ride to reinvent it for a new audience, but that it has more significant applications.
“You have to imagine it as defining an area and in this area you can manipulate movement to appear how you want it to,” Kottkamp says. “We take the existing ride, unfold it and then put it back together again as a new ride, using every curve, ascent and descent of the track to add to the virtual experience. It’s a bit like driving or flying through a game, but here you feel the real movement. This is an immersive experience like you’ve never had before.”
The project was a collaboration between VR Coaster, Mack Rides, MackMedia and Samsung, and was developed with Thomas Wagner, professor in the department of Virtual Design at the University of Applied Sciences Kaiserslautern in Germany.
“It’s cheaper than building an entirely new coaster, but that’s not the aim of the technology,” says Kottkamp. “It can give an existing coaster a new lease of life, as we did with Alpenexpress. This is a first step, but there will be a lot of companies that decide to build a new coaster and integrate the technology from day one.”
Kottkamp says he thinks the solution will be somewhere in between.
“We didn’t invent the technology in order to give old coasters a new-world sensation,” he says. “We invented the technology to create a much higher level of experience, where we can create a ride bespoke for virtual reality.”
The revolutionary technology is being distributed by Mack Rides to the wider theme park market, and Kottkamp says there’s interest from multiple parties.
“We’re making a business model out of it – one that also takes care of the operational side, such as ride capacity, hardware hygiene and ticketing solutions.”
So does Kottkamp believe the rollercoaster, as we know it, is dead?
“The future of the rollercoaster lies in a combination of real physical forces and appropriate thematic content. Using VR, we can create a much more elaborate and interactive themed world,” he says.
Read more from this issue of Attractions Management magazine
View contents of Attractions Management 2015 issue 4
Attractions: Gone, Not Forgotten
We find out what people thought of
Dismaland, Banksy’s twisted theme park
and contemporary art attraction – and
talk to one of the Dismal Stewards
Promotional feature: IdeAttack
Mysteries of China’s rich culture are at the heart of IDEATTACK’s new mixed-used tourism destination
Zoos & Aquariums: Turn over a New Reef
The Florida Aquarium is teaming
up with the National Aquarium of
Cuba in a bid to save and restore
the region’s precious coral reefs
Steffen Kottkamp, director at MackCreative, MackMedia
Europa Park revitalised its oldest rollercoaster in September when it added a world-first to the ride experience – virtuality reality.
Up to 2,000 visitors per day can take the Alpenexpress VR-Ride, donning the wireless Samsung Gear headsets and launching into an immersive journey combining virtual reality with the real world experience of riding a rollercoaster.
Park mascot Ed Euromaus guides the VR adventure, featuring a ride on a mine cart and a lift on the wings of a dragon. Using precise synchronisation, the 3D animated world – produced by MackMedia, Europa Park’s in-house design and ideas engine – perfectly complements the coaster track.
Steffen Kottkamp, director of MackCreative (like MackMedia, a division of Mack Rides), says the technology can be applied to an old ride to reinvent it for a new audience, but that it has more significant applications.
“You have to imagine it as defining an area and in this area you can manipulate movement to appear how you want it to,” Kottkamp says. “We take the existing ride, unfold it and then put it back together again as a new ride, using every curve, ascent and descent of the track to add to the virtual experience. It’s a bit like driving or flying through a game, but here you feel the real movement. This is an immersive experience like you’ve never had before.”
The project was a collaboration between VR Coaster, Mack Rides, MackMedia and Samsung, and was developed with Thomas Wagner, professor in the department of Virtual Design at the University of Applied Sciences Kaiserslautern in Germany.
“It’s cheaper than building an entirely new coaster, but that’s not the aim of the technology,” says Kottkamp. “It can give an existing coaster a new lease of life, as we did with Alpenexpress. This is a first step, but there will be a lot of companies that decide to build a new coaster and integrate the technology from day one.”
Kottkamp says he thinks the solution will be somewhere in between.
“We didn’t invent the technology in order to give old coasters a new-world sensation,” he says. “We invented the technology to create a much higher level of experience, where we can create a ride bespoke for virtual reality.”
The revolutionary technology is being distributed by Mack Rides to the wider theme park market, and Kottkamp says there’s interest from multiple parties.
“We’re making a business model out of it – one that also takes care of the operational side, such as ride capacity, hardware hygiene and ticketing solutions.”
So does Kottkamp believe the rollercoaster, as we know it, is dead?
“The future of the rollercoaster lies in a combination of real physical forces and appropriate thematic content. Using VR, we can create a much more elaborate and interactive themed world,” he says.
Read more from this issue of Attractions Management magazine
View contents of Attractions Management 2015 issue 4
Attractions: Gone, Not Forgotten
We find out what people thought of
Dismaland, Banksy’s twisted theme park
and contemporary art attraction – and
talk to one of the Dismal Stewards
Promotional feature: IdeAttack
Mysteries of China’s rich culture are at the heart of IDEATTACK’s new mixed-used tourism destination
Zoos & Aquariums: Turn over a New Reef
The Florida Aquarium is teaming
up with the National Aquarium of
Cuba in a bid to save and restore
the region’s precious coral reefs
OMA has completed a major transformation of New York's New Museum, creating a larger
cultural campus that combines expanded exhibition spaces with learning, performance,
hospitality and public programming.
A US$50 million (£44.2 million, €51.2 million) transformation of Chicago's historic McCormick
Mansion has created a new destination that combines live magic, immersive theatre, dining and
private membership under one roof.
The Montana Historical Society has officially celebrated the opening of its new Montana
Heritage
Center, a US$107 million (£79 million, €92 million) destination that combines immersive
storytelling with cutting-edge audiovisual technology to bring the sta
San Antonio Zoo has reported a US$283 million economic impact for 2025, following a decade-
long transformation programme that has seen almost US$200 million invested into the Texas
attraction.
Plans for the AU$180 million redevelopment of Reef HQ Aquarium in Townsville, Australia, are
progressing, with the project set to transform the attraction into a global centre for reef
education and conservation.
Abu Dhabi-based investment firm Mubadala Capital has made a binding, fully financed
€1 billion
offer to acquire Pierre and Vacances SA, the European holiday resort operator behind the
continental European Center Parcs business.
Disney has reaffirmed its commitment to investing US$30 billion in its US parks and cruise
business by 2033, using new America250 celebrations to underline the role its attractions play
in supporting jobs, tourism and economic growth.
Expo 2030 Riyadh is being planned as a permanent visitor destination, with organisers
confirming the six-million-square-metre site will become a Global Village after the event closes.
The owner of one of Australia's best-known waterparks has acquired a major competitor,
creating a new attractions business spanning two of the country's largest visitor destinations.
The Toverland theme park in the Netherlands has announced a €98m expansion programme
that will add a resort, new attractions and staff facilities as it pursues plans to become a multi-
day destination.
+ More news
COMPANY PROFILES
QubicaAMF UK QubicaAMF is the largest and most
innovative bowling equipment provider with
600 employees worldwi [more...]
