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Research
The art of personalisation

Advances in AI are bringing enhanced personalisation to the online visitor experience. Andy Povey explains how you can use audience-based engagement tools to increase conversion rates and create better experiences for guests


Today, the visitor’s journey begins online, often long before they visit their destination. This makes it vital your Google searchability, website usability/UX and representation by partners is carefully implemented.

One key difference between offline and online is the ability to offer a personalised experience. In person, it’s easy to recognise someone, make them feel valued and flow to the next stage of an interaction accordingly.

Online however, this presents a challenge. A visitor to your website could be encountering your operation for the first time, they could be a returning visitor, someone who previously abandoned a cart or who already has tickets and is checking final details for their visit. This presents an obvious need for the information they see to be tailored accordingly.

Identifying buyer personas
Personalisation is a game-changer for attractions, especially given the industry is all about delivering peak experiences. This hinges around providing relevant experiences to visitors at all times, bridging the gap between unfiltered exposure to your business and their needs.

Research has shown that 76 per cent of customers are tired of generic experiences and are more engaged when content speaks directly to them, quickly meeting their needs at that given moment.

Today’s online customer is smart, well-informed, empowered and time-conscious. Statistics show that people are likely to leave a web page within 10 – 20 seconds if they don’t see what they’re looking for, leaving you very little time to capture their attention.

To help with this targeting, we need to create and understand our ‘buyer personas’. When creating these, you’re picturing your ‘best customer’ in the target segment and working to gain more insight into their habits, attitudes, behaviours and challenges – not to manipulate them, but to provide them with higher value.

Data-Driven Personalisation
It’s essential to understand how your specific users behave, what they expect, their buying habits and how you make them feel, to improve the user experience.

You can achieve this using AI and predictive analytics to recognise where a customer is on their buying journey so you can deliver a clear and targeted value proposition.

For example, if a customer has abandoned their cart, the AI will recognise it’s the same person and start from that stage of the messaging cycle, rather than beginning the process again at the start.

Destinations can use this knowledge to create profiles that group visitors into different audiences. This can include first time visitors, repeat visitors and those who pre-booked tickets and are revisiting the website to check details such as opening times or parking.

Customer Journey
However, obtaining good data is only half the story. The key is understanding it, segmenting it and knowing how to use it.

The first step is to collect, sort and analyse visitor data. From here, templates can be created for predefined audiences, based on where they are in their personal purchasing journey.

Customised calls to action and a system that adjusts to the customer’s way of buy-in – rather than expecting them to adapt to your way of selling – mean they’re more likely to make desired decisions. This creates win-win outcomes for visitors and attractions and is a proven method of optimising booking conversion rates.

To make the messaging more effective and keep repetitive manual work to a minimum, have templates styled for your brand, make them available in multiple languages.

From Digital to Physical
Once at the destination, it’s important to ensure that this level of personalisation and seamless customer experience continues, with a smooth transition from online to the physical space.

The most effective way to do this is by connecting the journey through an app that guests can access on their personal devices. This needs to have the ability to store purchased tickets and reservations in an e-ticket wallet for a seamless entrance.

Data similar to that obtained during their online journey can now be applied to the physical space, with destinations targeting guests based on GPS locations to share personalised and automated push notifications for upsells and offers, with easy purchasing and ordering within the app. Guests can use these geo location features to plan their day, find quieter areas of the attraction and locate key services.

To finish the personalisation cycle, it’s important to find out what individuals think, so that you can finish the conversation you’ve been having with them throughout their visitor experience. It’s also a great opportunity to turn someone into a repeat visitor.

Operator Benefits
In an increasingly digitised world, these tools for getting to know your online audience are essential. Personalisation across the visitor cycle gives operators the chance to connect with their guests from that very first interaction.

This allows you to enhance guest experiences by organising your marketing efforts and give them the exact information they need. By streamlining the process and better identifying customers’ pain points, needs and wants, conversion rates increase. By learning from the data and your customer personas, you can improve your products and services by offering personalised upsells, helping to curate the customer experience even further.

Andy Povey is with www.convious.com
Photo: Convious

"Research shows 76% of customers are tired of generic experiences and are more engaged when web content meets their needs" – Andy Povey

Read more from this issue of Attractions Management magazine

View contents of Attractions Management 2023 issue 1
  • Editor's letter: The power of stories
    We think we understand the value of storytelling, but do we really? It’s important to be clear on what it contributes to our industry, says Magali Robathan
  • People: Simon Daniels
    The director of the Handel & Hendrix in London attraction on the £3m revamp aiming to bring visitors closer to the musicians
  • People: Jacqueline Stewart
    The president of the Academy Museum of Motion Pictures on honouring the stars of Black cinema
  • People: Elizabeth Stallard & Jason Jacobs
    On Sacramento Zoological Society’s vision for a new modern zoo with expansive savannahs and restaurants overlooking the wildlife
  • Interview: Tom Lochtefeld
    The ‘father of artificial surf parks’ changed the industry with his pioneering sheet waves. Now he’s back to shake things up again with new deep water wave technology
  • Talking point: Storytime
    How can we use the power of story to connect to guests and create better attractions? We ask the experts
  • Interview: Brian Zimmerman
    The world’s fifth biggest zoo closed its doors in September 2022. We go behind the scenes of the Bristol Zoological Society to find out what happens next
  • Sponsored: No matter the venue aquatic play delivers
    Aquatic play helps keep kids happy, resulting in higher spend from families. WhiteWater’s Cassidy Newman shares some of the attractions using aquatic play to bring in more visitors and increase spend
  • Science centre: Eureka!
    How the new science centre consulted with young people and industry to bring a quirky sense of fun to STEAM
  • Museums: New museums
    From a Bangalore photography and art museum to the Grand Egyptian Museum in Cairo, we review some exciting openings for 2023
  • Marketing: Screaming for screening
    With its edgy brand and young visitor base, Merlin’s London Dungeon was a natural choice for an innovative marketing campaign aiming to take the stigma out of STI testing
  • Research: On the right track
    After a rollercoaster ride, US theme parks are bouncing back, with opportunities for growth driven by gaming IPs, says Mintel
  • Visitor centre: Fish tale
    A floating visitor attraction in Norway has been designed to promote fish farming, as Magali Robathan discovered
  • Research: The art of personalisation
    AI is making it easier to personalise visitors’ online experience. We look at the available tools and their use
Customers are tired of generic experiences
Customers are tired of generic experiences / Convious
AI can be used to customise the visitor journey, driving overall satisfaction rates
AI can be used to customise the visitor journey, driving overall satisfaction rates / Pavel L Photo and Video/shutterstock
COMPANY PROFILES
instantprint

We’re a Yorkshire-based online printer, founded in 2009 by Adam Carnell and James Kinsella. [more...]
IDEATTACK

IDEATTACK is a full-service planning and design company with headquarters in Los Angeles. [more...]
Simworx Ltd

The company was initially established in 1997. Terry Monkton and Andrew Roberts are the key stakeh [more...]
ProSlide Technology, Inc.

A former national ski team racer, ProSlide® CEO Rick Hunter’s goal has been to integrate the smoot [more...]
+ More profiles  
CATALOGUE GALLERY
 

+ More catalogues  
DIRECTORY
+ More directory  
DIARY

 

23-26 Aug 2026

Elevate Spa Riviera Maya Edition

The Riviera Maya Edition Kanai, Playa del Carmen, Mexico
29 Sep - 02 Oct 2026

Synergy - The Retreat Show

Pical Resort, Valamar Collection, Porec, Croatia
+ More diary  
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Get Attractions Management digital magazine FREE
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Research
The art of personalisation

Advances in AI are bringing enhanced personalisation to the online visitor experience. Andy Povey explains how you can use audience-based engagement tools to increase conversion rates and create better experiences for guests


Today, the visitor’s journey begins online, often long before they visit their destination. This makes it vital your Google searchability, website usability/UX and representation by partners is carefully implemented.

One key difference between offline and online is the ability to offer a personalised experience. In person, it’s easy to recognise someone, make them feel valued and flow to the next stage of an interaction accordingly.

Online however, this presents a challenge. A visitor to your website could be encountering your operation for the first time, they could be a returning visitor, someone who previously abandoned a cart or who already has tickets and is checking final details for their visit. This presents an obvious need for the information they see to be tailored accordingly.

Identifying buyer personas
Personalisation is a game-changer for attractions, especially given the industry is all about delivering peak experiences. This hinges around providing relevant experiences to visitors at all times, bridging the gap between unfiltered exposure to your business and their needs.

Research has shown that 76 per cent of customers are tired of generic experiences and are more engaged when content speaks directly to them, quickly meeting their needs at that given moment.

Today’s online customer is smart, well-informed, empowered and time-conscious. Statistics show that people are likely to leave a web page within 10 – 20 seconds if they don’t see what they’re looking for, leaving you very little time to capture their attention.

To help with this targeting, we need to create and understand our ‘buyer personas’. When creating these, you’re picturing your ‘best customer’ in the target segment and working to gain more insight into their habits, attitudes, behaviours and challenges – not to manipulate them, but to provide them with higher value.

Data-Driven Personalisation
It’s essential to understand how your specific users behave, what they expect, their buying habits and how you make them feel, to improve the user experience.

You can achieve this using AI and predictive analytics to recognise where a customer is on their buying journey so you can deliver a clear and targeted value proposition.

For example, if a customer has abandoned their cart, the AI will recognise it’s the same person and start from that stage of the messaging cycle, rather than beginning the process again at the start.

Destinations can use this knowledge to create profiles that group visitors into different audiences. This can include first time visitors, repeat visitors and those who pre-booked tickets and are revisiting the website to check details such as opening times or parking.

Customer Journey
However, obtaining good data is only half the story. The key is understanding it, segmenting it and knowing how to use it.

The first step is to collect, sort and analyse visitor data. From here, templates can be created for predefined audiences, based on where they are in their personal purchasing journey.

Customised calls to action and a system that adjusts to the customer’s way of buy-in – rather than expecting them to adapt to your way of selling – mean they’re more likely to make desired decisions. This creates win-win outcomes for visitors and attractions and is a proven method of optimising booking conversion rates.

To make the messaging more effective and keep repetitive manual work to a minimum, have templates styled for your brand, make them available in multiple languages.

From Digital to Physical
Once at the destination, it’s important to ensure that this level of personalisation and seamless customer experience continues, with a smooth transition from online to the physical space.

The most effective way to do this is by connecting the journey through an app that guests can access on their personal devices. This needs to have the ability to store purchased tickets and reservations in an e-ticket wallet for a seamless entrance.

Data similar to that obtained during their online journey can now be applied to the physical space, with destinations targeting guests based on GPS locations to share personalised and automated push notifications for upsells and offers, with easy purchasing and ordering within the app. Guests can use these geo location features to plan their day, find quieter areas of the attraction and locate key services.

To finish the personalisation cycle, it’s important to find out what individuals think, so that you can finish the conversation you’ve been having with them throughout their visitor experience. It’s also a great opportunity to turn someone into a repeat visitor.

Operator Benefits
In an increasingly digitised world, these tools for getting to know your online audience are essential. Personalisation across the visitor cycle gives operators the chance to connect with their guests from that very first interaction.

This allows you to enhance guest experiences by organising your marketing efforts and give them the exact information they need. By streamlining the process and better identifying customers’ pain points, needs and wants, conversion rates increase. By learning from the data and your customer personas, you can improve your products and services by offering personalised upsells, helping to curate the customer experience even further.

Andy Povey is with www.convious.com
Photo: Convious

"Research shows 76% of customers are tired of generic experiences and are more engaged when web content meets their needs" – Andy Povey

Read more from this issue of Attractions Management magazine

View contents of Attractions Management 2023 issue 1
  • Editor's letter: The power of stories
    We think we understand the value of storytelling, but do we really? It’s important to be clear on what it contributes to our industry, says Magali Robathan
  • People: Simon Daniels
    The director of the Handel & Hendrix in London attraction on the £3m revamp aiming to bring visitors closer to the musicians
  • People: Jacqueline Stewart
    The president of the Academy Museum of Motion Pictures on honouring the stars of Black cinema
  • People: Elizabeth Stallard & Jason Jacobs
    On Sacramento Zoological Society’s vision for a new modern zoo with expansive savannahs and restaurants overlooking the wildlife
  • Interview: Tom Lochtefeld
    The ‘father of artificial surf parks’ changed the industry with his pioneering sheet waves. Now he’s back to shake things up again with new deep water wave technology
  • Talking point: Storytime
    How can we use the power of story to connect to guests and create better attractions? We ask the experts
  • Interview: Brian Zimmerman
    The world’s fifth biggest zoo closed its doors in September 2022. We go behind the scenes of the Bristol Zoological Society to find out what happens next
  • Sponsored: No matter the venue aquatic play delivers
    Aquatic play helps keep kids happy, resulting in higher spend from families. WhiteWater’s Cassidy Newman shares some of the attractions using aquatic play to bring in more visitors and increase spend
  • Science centre: Eureka!
    How the new science centre consulted with young people and industry to bring a quirky sense of fun to STEAM
  • Museums: New museums
    From a Bangalore photography and art museum to the Grand Egyptian Museum in Cairo, we review some exciting openings for 2023
  • Marketing: Screaming for screening
    With its edgy brand and young visitor base, Merlin’s London Dungeon was a natural choice for an innovative marketing campaign aiming to take the stigma out of STI testing
  • Research: On the right track
    After a rollercoaster ride, US theme parks are bouncing back, with opportunities for growth driven by gaming IPs, says Mintel
  • Visitor centre: Fish tale
    A floating visitor attraction in Norway has been designed to promote fish farming, as Magali Robathan discovered
  • Research: The art of personalisation
    AI is making it easier to personalise visitors’ online experience. We look at the available tools and their use
Customers are tired of generic experiences
Customers are tired of generic experiences / Convious
AI can be used to customise the visitor journey, driving overall satisfaction rates
AI can be used to customise the visitor journey, driving overall satisfaction rates / Pavel L Photo and Video/shutterstock
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Expo 2030 Riyadh will create a permanent global destination
Expo 2030 Riyadh is being planned as a permanent visitor destination, with organisers confirming the six-million-square-metre site will become a Global Village after the event closes.
Australian waterpark acquisition creates new leisure attractions group
The owner of one of Australia's best-known waterparks has acquired a major competitor, creating a new attractions business spanning two of the country's largest visitor destinations.
London Museum reveals 2026 opening date for new Smithfield home
The London Museum’s new site will open in Smithfield, East London, on 28 November 2026.
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Hotel de France, located on the British Isle of Jersey, has created a wellness retreat package that includes a hot yoga session that will take place in Jersey Zoo’s butterfly sanctuary.
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A new immersive attraction designed to transport visitors into the final hours of ancient Pompeii is preparing to open near the world-famous archaeological site in southern Italy.
Bob Rogers hands BRC to long-serving leadership team
Experience design company, BRC Imagination Arts, has completed a transition that sees founder Bob Rogers pass ownership of the business to four long-serving senior executives, while remaining actively involved with the company.
Rainer Maelzer joins Therme Group as chief entertainment officer
Rainer Maelzer, an experiential entertainment innovator, has been appointed chief entertainment officer by Therme Group.
Movie Park Germany reveals new Paramount attraction as part of its 30th anniversary celebrations
Movie Park Germany has opened a new Paramount Pictures-themed attraction as part of its 30th anniversary celebrations, using immersive storytelling and adaptive reuse to reinforce the park’s longstanding “Hollywood in Germany” positioning.
Therme Manchester reveals 90:90 strategy – 90 per cent of the UK population within a 90-minute drive of a Therme
Therme Manchester’s 28-acre development, which will include interconnected glass pavilions that measure 65,000sq m, will be the largest bathing and wellbeing attraction in the world once complete, according to prof David Russell, CEO of Therme UK. 
Efteling expands family offer with new Hooghmoed drop tower
Efteling has opened Hooghmoed, a new family drop tower designed to broaden the appeal of its recently launched Sirene Island themed area and introduce younger visitors to thrill attractions.
Universal and Puy du Fou projects point to rise of Oxford–Cambridge corridor
A proposed Puy du Fou development near Bicester and Universal Destinations and Experiences’ planned resort in Bedford are emerging as part of a wider transformation of the Oxford– Cambridge Growth Corridor into a major centre for UK leisure and tourism inv
+ More news   
 
COMPANY PROFILES
instantprint

We’re a Yorkshire-based online printer, founded in 2009 by Adam Carnell and James Kinsella. [more...]
IDEATTACK

IDEATTACK is a full-service planning and design company with headquarters in Los Angeles. [more...]
Simworx Ltd

The company was initially established in 1997. Terry Monkton and Andrew Roberts are the key stakeh [more...]
ProSlide Technology, Inc.

A former national ski team racer, ProSlide® CEO Rick Hunter’s goal has been to integrate the smoot [more...]
+ More profiles  
CATALOGUE GALLERY
+ More catalogues  
DIRECTORY
+ More directory  
DIARY

 

23-26 Aug 2026

Elevate Spa Riviera Maya Edition

The Riviera Maya Edition Kanai, Playa del Carmen, Mexico
29 Sep - 02 Oct 2026

Synergy - The Retreat Show

Pical Resort, Valamar Collection, Porec, Croatia
+ More diary  
 


ADVERTISE . CONTACT US

Leisure Media
Tel: +44 (0)1462 431385

©Cybertrek 2026

ABOUT LEISURE MEDIA
LEISURE MEDIA MAGAZINES
LEISURE MEDIA HANDBOOKS
LEISURE MEDIA WEBSITES
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