GET ATTRACTIONS MANAGEMENT
magazine
Yes! Send me the FREE digital edition of Attractions Management and the FREE weekly Attractions Management ezines and breaking news alerts!
Not right now, thanksclose this window
Get Attractions Management digital magazine FREE
Sign up here ▸
Jobs   News   Features   Products   Company profilesProfiles   Magazine   Handbook   Advertise    Subscribe  
Museums
Gardens of the future

The landscaping of Dubai’s new Museum of the Future supports the message of the museum, with a focus on sustainability and innovative technologies aiming to address challenges of climate change. Cracknell’s Robert Shakespeare talks us through them


Several years in the making, the Museum of the Future was inaugurated by Sheikh Mohammed bin Rashid Al Maktoum in February 2022, with a spectacular light show featuring projections onto the museum as well as the Burj Khalifa, Burj Al Arab and other prominent Dubai buildings.

The torus-shaped building, designed by Killa Design and Buro Happold, features a stainless steel facade covered with quotes written in Arabic calligraphy. The museum explores the science and technology of the future, via interactive exhibits spread across seven stories.

The museum transports visitors to the year 2071 via five exhibits: OSS Hope (Orbiting Space Station), which includes a ‘journey to space via a shuttle simulation; Heal Institute, which shows what Dubai could be like in 2071; Al Waha (Oasis), a series of experiences aiming to heal the mind and body; Tomorrow Today, which celebrate future technologies; and the children’s play space Future Heroes.

The distinctive building sits within new gardens featuring 100 species of trees and plants from across the UAE.

Masterplanned by landscape architecture firm Cracknell, the gardens are a key part of the design of the museum, and use a number of sustainable features, including LED lights, a smart irrigation system; and new green wall and steep slope technology.

Here Cracknell’s Robert Shakespeare talks us through the highs and lows of this unique project.

What advice would you give to attractions and museums operators looking to create or improve green space around their buildings?
Creating outdoor components to museums is very important to their success, encouraging outdoor exhibits to complement the indoor experience. To achieve this the primary requirement, particularly for the climate in Dubai, is to create shade, ideally with tree planting, but also using shade canopies and structures.

Creating spaces that potentially link directly to indoor exhibition spaces, roof terraces and courtyards or outdoor pocket gardens can add visual and functional value to a museum, giving an additional level of visitor engagement, making the lessons people take from their visit that much more powerful and lasting. Integrating the exterior and indoor spaces to create a strong indoor/outdoor relationship for exhibition spaces is key.

What did the Museum of the Future project mean to Cracknell?
We knew this was a high profile iconic project for Dubai and would become a significant landmark in the region, presenting an opportunity to partner with Killa to create something quite dramatic. We were also interested to explore the technology and innovation challenges that the project presented.

What makes it unique?
The majority of the building is effectively covered by the landscape. Although what the public sees is the beautiful oval shape of the museum, a huge proportion of the building, including all the parking and infrastructure, is concealed beneath a green skin.

It was also an interesting concept to create the impression that access to the building was through the landscape. The technology and design innovation involved in creating the landscape was challenging and unique – the success of the planting given the urban constraints is a particular success.

How does the landscaping fit with the content of the museum?
In line with the museum’s ethos of being a place where people can see, touch and shape our shared future, the landscape presents the latest innovation in green wall and steep slope technology and growing plants in restricted substrate.

The native planting brings many birds and insects to the site where people can immerse themselves in nature – the landscape has an important message for a sustainable future as we look to make our cities more resilient.

The site for the museum was very restricted by the adjacent buildings and infrastructure, and as a result the mound had to take on a soft shape, as if moulded into the remaining spaces. The landscape has become a fascinating and very unexpected intervention into the urban context, and is much larger than you expect when you approach it on foot. It has a strong presence in the space as if muscling in between adjacent buildings and metro lines.

The mound was also designed to encourage visitors to walk up it to experience the landscape, providing unusual and surprising views of the city.

The climate in Dubai is quite inhospitable for plants and greenery – what are the biggest challenges of creating a green urban oasis in this environment?
The landscape presented tremendous technical challenges, but the extent of the planting also presented challenges in terms of sustainability and water consumption. However, by specifying drought tolerant plants we managed to reduce the overall water demand. The irrigation delivery system was modified to provide very short bursts of water through buried drip lines. Any excess water that wasn’t required by the planting is then collected and can be reused. As a result, the overall water usage is extremely low and highly efficient, exceeding the water saving requirements specified by the LEED rating system.

What other challenges were there?
Fitting the building and the landscape into a very restricted space required significant coordination. The site is criss-crossed by underground services and existing roads that had to be respected. We also had to tie the building into overhead pedestrian walkways that would punch into the mound. The design process was complex and although the result looks simple, there is a lot happening below ground.

Did you use any interesting technologies in this project?
The most important technology we used was to develop systems that would allow us to drape a carpet of planting over the building and to retain the soil on extremely steep slopes. This couldn’t be achieved without an integrated engineered system.

We used two different systems depending on the steepness of the slope, the soil carpet system, and a green wall system. The strategy also had to allow us to sculpt the mound to create the natural shapes you see in the completed project.

The first step was to use high density polystyrene blocks to form the final shape of the mound. These blocks are lightweight allowing us to create the mound profile without adding loading to the structure of the building below. Once complete we added the landscaped layering system. The soil ‘carpet’ consists of two layers of a flexible geoweb that retains the soil within pockets. The irrigation network of dripper lines is embedded within the soil ‘carpet’, delivering precise amounts of water to the plant root zones. The carpet is laid over a drainage mat system that is designed to collect any water that bypasses the roots and takes it down to a collection channel at the base of the mound. During heavy rain, any water run off from the mound is also collected, filtered and reused for irrigation. The water used for the planting is Treated Sewerage Effluent, or grey water, ensuring that no potable water is used for the project.

The second system we used for almost vertical slopes was the green walls system. This is effectively rigid panels with integrated soil and irrigation that is used like a cladding system. Once complete it creates a seamless planted wall of green.

Are you seeing any trends in the landscaping of attractions,museums, zoos and theme parks?
There’s a trend in the Middle East in particular to create more ‘responsible’ and resilient landscapes that use less water and use more native plant species. The vision for designers and clients today is to create landscapes that are appropriate to the regional context and have a strong local identity, representing the hardscape materials, plants and design language of the region.

How do the challenges of climate change affect your work?
With rising temperatures and water scarcity, landscape designers have a responsibility to address climate change through resilient design. This starts at the outset of the project with the planning process, establishing the vision and understanding the impact the project will have on the landscape.

Robert Shakespeare is group design director at Cracknell Credit: Photo: Cracknell Landscape Design LLC
Much of the museum is hidden under a green ‘skin’ Credit: Photo: ©Museum of the Future
The museum’s gardens feature 100 species of native trees and plants Credit: Photo: ©Museum of the Future
The museum is on an urban site in Dubai’s financial district Credit: Photo: ©Museum of the Future
Museum of the Future explores changing science and technology Credit: Photo: ©Museum of the Future
COMPANY PROFILES
RMA Ltd

RMA Ltd is a one-stop global company that can design, build and produce from a greenfield site upw [more...]
Painting With Light

By combining lighting, video, scenic and architectural elements, sound and special effects we tell s [more...]
Simworx Ltd

The company was initially established in 1997. Terry Monkton and Andrew Roberts are the key stakeh [more...]
Clip 'n Climb

Clip ‘n Climb currently offers facility owners and investors more than 40 colourful and unique Cha [more...]
+ More profiles  
CATALOGUE GALLERY
 

+ More catalogues  
DIRECTORY
+ More directory  
DIARY

 

08-08 May 2024

Hospitality Design Conference

Hotel Melià , Milano , Italy
04-07 Nov 2024

Global Wellness Summit (GWS)

In person, St Andrews, United Kingdom
+ More diary  
LATEST ISSUES
+ View Magazine Archive

Attractions Management

2023 issue 4


View issue contents
View on turning pages
Download PDF
FREE digital subscription
Print subscription

Attractions Management

2023 issue 3


View issue contents
View on turning pages
Download PDF
FREE digital subscription
Print subscription

Attractions Management

2023 issue 2


View issue contents
View on turning pages
Download PDF
FREE digital subscription
Print subscription

Attractions Management

2023 issue 1


View issue contents
View on turning pages
Download PDF
FREE digital subscription
Print subscription

Attractions Management News

06 Apr 2020 issue 153


View on turning pages
Download PDF
View archive
FREE digital subscription
Print subscription

Attractions Handbook

2019


View issue contents
View on turning pages
Download PDF
FREE digital subscription
Print subscription
 
ABOUT LEISURE MEDIA
LEISURE MEDIA MAGAZINES
LEISURE MEDIA HANDBOOKS
LEISURE MEDIA WEBSITES
LEISURE MEDIA PRODUCT SEARCH
 
ATTRACTIONS MANAGEMENT
ATTRACTIONS MANAGEMENT NEWS
ATTRACTIONS HANDBOOK
PRINT SUBSCRIPTIONS
FREE DIGITAL SUBSCRIPTIONS
ADVERTISE . CONTACT US

Leisure Media
Tel: +44 (0)1462 431385

©Cybertrek 2023
Get Attractions Management digital magazine FREE
Sign up here ▸
Jobs    News   Products   Magazine   Subscribe
Museums
Gardens of the future

The landscaping of Dubai’s new Museum of the Future supports the message of the museum, with a focus on sustainability and innovative technologies aiming to address challenges of climate change. Cracknell’s Robert Shakespeare talks us through them


Several years in the making, the Museum of the Future was inaugurated by Sheikh Mohammed bin Rashid Al Maktoum in February 2022, with a spectacular light show featuring projections onto the museum as well as the Burj Khalifa, Burj Al Arab and other prominent Dubai buildings.

The torus-shaped building, designed by Killa Design and Buro Happold, features a stainless steel facade covered with quotes written in Arabic calligraphy. The museum explores the science and technology of the future, via interactive exhibits spread across seven stories.

The museum transports visitors to the year 2071 via five exhibits: OSS Hope (Orbiting Space Station), which includes a ‘journey to space via a shuttle simulation; Heal Institute, which shows what Dubai could be like in 2071; Al Waha (Oasis), a series of experiences aiming to heal the mind and body; Tomorrow Today, which celebrate future technologies; and the children’s play space Future Heroes.

The distinctive building sits within new gardens featuring 100 species of trees and plants from across the UAE.

Masterplanned by landscape architecture firm Cracknell, the gardens are a key part of the design of the museum, and use a number of sustainable features, including LED lights, a smart irrigation system; and new green wall and steep slope technology.

Here Cracknell’s Robert Shakespeare talks us through the highs and lows of this unique project.

What advice would you give to attractions and museums operators looking to create or improve green space around their buildings?
Creating outdoor components to museums is very important to their success, encouraging outdoor exhibits to complement the indoor experience. To achieve this the primary requirement, particularly for the climate in Dubai, is to create shade, ideally with tree planting, but also using shade canopies and structures.

Creating spaces that potentially link directly to indoor exhibition spaces, roof terraces and courtyards or outdoor pocket gardens can add visual and functional value to a museum, giving an additional level of visitor engagement, making the lessons people take from their visit that much more powerful and lasting. Integrating the exterior and indoor spaces to create a strong indoor/outdoor relationship for exhibition spaces is key.

What did the Museum of the Future project mean to Cracknell?
We knew this was a high profile iconic project for Dubai and would become a significant landmark in the region, presenting an opportunity to partner with Killa to create something quite dramatic. We were also interested to explore the technology and innovation challenges that the project presented.

What makes it unique?
The majority of the building is effectively covered by the landscape. Although what the public sees is the beautiful oval shape of the museum, a huge proportion of the building, including all the parking and infrastructure, is concealed beneath a green skin.

It was also an interesting concept to create the impression that access to the building was through the landscape. The technology and design innovation involved in creating the landscape was challenging and unique – the success of the planting given the urban constraints is a particular success.

How does the landscaping fit with the content of the museum?
In line with the museum’s ethos of being a place where people can see, touch and shape our shared future, the landscape presents the latest innovation in green wall and steep slope technology and growing plants in restricted substrate.

The native planting brings many birds and insects to the site where people can immerse themselves in nature – the landscape has an important message for a sustainable future as we look to make our cities more resilient.

The site for the museum was very restricted by the adjacent buildings and infrastructure, and as a result the mound had to take on a soft shape, as if moulded into the remaining spaces. The landscape has become a fascinating and very unexpected intervention into the urban context, and is much larger than you expect when you approach it on foot. It has a strong presence in the space as if muscling in between adjacent buildings and metro lines.

The mound was also designed to encourage visitors to walk up it to experience the landscape, providing unusual and surprising views of the city.

The climate in Dubai is quite inhospitable for plants and greenery – what are the biggest challenges of creating a green urban oasis in this environment?
The landscape presented tremendous technical challenges, but the extent of the planting also presented challenges in terms of sustainability and water consumption. However, by specifying drought tolerant plants we managed to reduce the overall water demand. The irrigation delivery system was modified to provide very short bursts of water through buried drip lines. Any excess water that wasn’t required by the planting is then collected and can be reused. As a result, the overall water usage is extremely low and highly efficient, exceeding the water saving requirements specified by the LEED rating system.

What other challenges were there?
Fitting the building and the landscape into a very restricted space required significant coordination. The site is criss-crossed by underground services and existing roads that had to be respected. We also had to tie the building into overhead pedestrian walkways that would punch into the mound. The design process was complex and although the result looks simple, there is a lot happening below ground.

Did you use any interesting technologies in this project?
The most important technology we used was to develop systems that would allow us to drape a carpet of planting over the building and to retain the soil on extremely steep slopes. This couldn’t be achieved without an integrated engineered system.

We used two different systems depending on the steepness of the slope, the soil carpet system, and a green wall system. The strategy also had to allow us to sculpt the mound to create the natural shapes you see in the completed project.

The first step was to use high density polystyrene blocks to form the final shape of the mound. These blocks are lightweight allowing us to create the mound profile without adding loading to the structure of the building below. Once complete we added the landscaped layering system. The soil ‘carpet’ consists of two layers of a flexible geoweb that retains the soil within pockets. The irrigation network of dripper lines is embedded within the soil ‘carpet’, delivering precise amounts of water to the plant root zones. The carpet is laid over a drainage mat system that is designed to collect any water that bypasses the roots and takes it down to a collection channel at the base of the mound. During heavy rain, any water run off from the mound is also collected, filtered and reused for irrigation. The water used for the planting is Treated Sewerage Effluent, or grey water, ensuring that no potable water is used for the project.

The second system we used for almost vertical slopes was the green walls system. This is effectively rigid panels with integrated soil and irrigation that is used like a cladding system. Once complete it creates a seamless planted wall of green.

Are you seeing any trends in the landscaping of attractions,museums, zoos and theme parks?
There’s a trend in the Middle East in particular to create more ‘responsible’ and resilient landscapes that use less water and use more native plant species. The vision for designers and clients today is to create landscapes that are appropriate to the regional context and have a strong local identity, representing the hardscape materials, plants and design language of the region.

How do the challenges of climate change affect your work?
With rising temperatures and water scarcity, landscape designers have a responsibility to address climate change through resilient design. This starts at the outset of the project with the planning process, establishing the vision and understanding the impact the project will have on the landscape.

Robert Shakespeare is group design director at Cracknell Credit: Photo: Cracknell Landscape Design LLC
Much of the museum is hidden under a green ‘skin’ Credit: Photo: ©Museum of the Future
The museum’s gardens feature 100 species of native trees and plants Credit: Photo: ©Museum of the Future
The museum is on an urban site in Dubai’s financial district Credit: Photo: ©Museum of the Future
Museum of the Future explores changing science and technology Credit: Photo: ©Museum of the Future
LATEST NEWS
Sony Pictures to launch immersive Wonderverse entertainment destination
Sony Pictures is set to launch an immersive indoor entertainment park at Oakbrook Center in Chicago in December, featuring escape rooms, interactive exhibits, racing simulators, VR attractions, bumper cars and food and drink.
Tourism think tank explores gender equity and male allyship
At a recent think tank, The Tourism Society hosted a panel overseen by its first female chair, Alison Cryer MBE, to discuss the importance of male allyship in the travel and tourism industry.
Shenzhen art museum opens exhibition showcasing work of MAD Architects
Shenzhen Museum of Contemporary Art and Urban Planning (MoCAUP) has opened An exhibition which provides a retrospective of the research and practices of MAD Architects.
Timbaland, music producer to the stars, joins forces with Myndstream to co-create music that improves health and wellbeing
Timbaland, Platinum Grammy Award-winning music producer, who's worked with artists such as Jay-Z, Missy Elliott, Madonna, Rihanna, Justin Timberlake and Drake, has announced a partnership with health and wellbeing music provider, Myndstream.
Accenture says AI is bringing on a decade of deconstruction
The rapid advance of technology in all areas of life is putting societies in flux, creating uncertainty and forcing people to reassess their plans for the future, according to a new report from consulting firm Accenture.
Cedar Fair and Six Flags merge – combined company will operate 51 theme parks and resorts
Two iconic theme park operators, Cedar Fair and Six Flags, have confirmed they are merging.
Back in time – visitors experience 1960s healthcare in Black Country Museum's new living history centre
Black Country Living Museum in Dudley, UK, has opened a life-sized replica of a healthcare centre for infants, offering visitors an opportunity to discover how new and expectant mothers in the early 1960s were cared for and supported.
Attractions.io creates night-time map for Alton Towers
Attractions.io has created a bespoke nighttime app for UK theme park Alton Towers, which the operator will use for its Scarefest and Ultimate Fireworks Spectacular events.
Morgan’s Wonderland reveals plans for largest expansion in its history
Morgan’s Wonderland – a Texas-based theme park which caters specifically to people with disabilities – has revealed plans tol add attractions worth US$6 million in 2024.
Falcon’s Beyond, raises US$100m and begins trading on Nasdaq
Falcon’s Beyond Global has begun trading on the Nasdaq stock exchange, after raising more than US$100 million to support its growth strategy and completing a business combination with Fast Acquisition Corp.
SeaWorld to introduce marine life-themed rides and experiences 'at every park' during 2024
SeaWorld has revealed plans to open new, "one-of-a-kind" marine life themed rides and attractions at all three of its SeaWorld parks during Spring 2024.
Former Forrec executive, Matt Dawson, Joins JRA as VP of business development
JRA has appointed Matt Dawson, a former VP at experience design company Forrec, as its new VP of business development.
+ More news   
 
COMPANY PROFILES
RMA Ltd

RMA Ltd is a one-stop global company that can design, build and produce from a greenfield site upw [more...]
Painting With Light

By combining lighting, video, scenic and architectural elements, sound and special effects we tell s [more...]
Simworx Ltd

The company was initially established in 1997. Terry Monkton and Andrew Roberts are the key stakeh [more...]
Clip 'n Climb

Clip ‘n Climb currently offers facility owners and investors more than 40 colourful and unique Cha [more...]
+ More profiles  
CATALOGUE GALLERY
+ More catalogues  
DIRECTORY
+ More directory  
DIARY

 

08-08 May 2024

Hospitality Design Conference

Hotel Melià , Milano , Italy
04-07 Nov 2024

Global Wellness Summit (GWS)

In person, St Andrews, United Kingdom
+ More diary  
 


ADVERTISE . CONTACT US

Leisure Media
Tel: +44 (0)1462 431385

©Cybertrek 2023

ABOUT LEISURE MEDIA
LEISURE MEDIA MAGAZINES
LEISURE MEDIA HANDBOOKS
LEISURE MEDIA WEBSITES
LEISURE MEDIA PRODUCT SEARCH
ATTRACTIONS MANAGEMENT NEWS
ATTRACTIONS HANDBOOK
PRINT SUBSCRIPTIONS
FREE DIGITAL SUBSCRIPTIONS