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World expos
Brave new world

Can world expos really raise global awareness about what matters for the planet? Christian Lachel considers how these high profile events can use modern story-telling and technology to help create change in the world

By Christian Lachel | Published in Attractions Management 2014 issue 2


I have many smart, compassionate, public-spirited friends. I was having coffee with one of them when this particular friend said: “The world is in trouble. We’ve got so many challenges it just seems overwhelming.”

She almost ran out of fingers as she used them to tick off the challenges – climate change, population growth, plundering of natural resources, peak oil/dwindling fossil fuels, increased energy demand in emerging nations, and finding enough food to feed the planet. “The bigger the challenge, the less people seem to care. What actually are we doing about these things? What CAN we do?”

All great questions. Do we as individuals care about doing the hard work to ensure humankind has a viable future on Earth? Does our industry care?

I said: “First, let’s acknowledge our own power. We’re storytellers. It’s been our job to give meaning to our world and shape a narrative that awakens the tribe to the perils that lie ahead if we don’t change our behaviour. Our narrative must give a vision for a viable way forward, and inspiration that, together, we can make that vision a reality.”

And then we talked about the cultural narrative, and we discovered a lot of evidence that we – the storytellers – DO care. We ARE doing something. 

Caring for our planet
Let’s start with the single most popular form of out-of-home entertainment ever invented, the feature motion picture – always a harbinger of cultural change. James Cameron’s Avatar is the single most popular motion picture ever made. Underneath all the stunning special effects, the breath-taking action sequences and summer-blockbuster plotting, beats the heart of a profound environmental fable.

Avatar is about our world. In this film, a young man – crippled by war and alienated from an uncaring world, is literally re-born when he connects with a tribe of people who are one with the natural world they inhabit. Our hero heals himself, and becomes a warrior in defence of this powerful natural world. 

Want more evidence? An Inconvenient Truth, World War Z, The Road, Erin Brockovitch, and Princess Mononoke, by the incomparable Hayao Miyazaki. And then there are documentaries like Fast Food Nation, Tapped, King Corn and Food Inc. that highlight the world of the corporate food giants as well as the challenges of feeding the planet.

But that’s just movie-making, right? Yes, but something significant is happening in our business of leisure and entertainment as well. And, as so often happens, this ‘really big thing’ has emerged from what seemed at the time as a small thing – an unsuccessful small thing at that. 

Changing the world story
This narrative shift began in 2000 at a World Expo in Hannover, Germany. 

The theme of the Hannover Expo was ‘Man, Nature, Technology’. This expo was modestly attended, and considered an economic failure for the region. It was here that thought leaders Bill McDonough and Michael Braungart re-introduced The Hannover Principles for sustainable world abundance – which were first commissioned by Hannover in 1991 and first presented at the Earth Summit’s 1992 World Urban Forum.

In 2000, the Hannover Principles (see briefing box) started a revolution. They were then, and still are, audacious, thought-provoking and emphatic. The intention was to subvert that narrative and create an entirely new context for the discussion. This was a revolution. A re-boot. A new story.     

The Hannover Principles inspired the US Green Building Council’s green building programme called LEED, and led to creation of the Cradle to Cradle Products Innovation Institute. The institute is described as a non-profit organisation “created to bring about a new industrial revolution that turns the making of things into a positive force for society, economy, and the planet.”

More importantly, the Principles sparked a cascade of inspiration for the enterprising thought-leaders heading up the next Expos. Consider the themes, always a statement of intention:

Expo 2005, Aichi, Japan – Nature’s Wisdom

Expo 2008, Zaragoza, Spain – Water and Sustainable Development

Expo 2010, Shanghai, China – Better City, Better Life

Expo 2012, Yeosu, South Korea – The Living Ocean and Coast – Preservation and Sustainable Development of the Ocean and Coast. 

The subject of each of these expos was rooted in the Hannover Principles – creating sustainable abundance on planet Earth. So what is the theme for Expo 2015 in Milan, Italy? ‘Feeding the Planet, Energy for Life’.

Steering a new direction
Most people will never go to World Expo, but those who do can be inspired, emotionally awakened, and changed. These guests can inspire others. Like a single pebble in a giant lake, they can send out thought waves that ripple to infinity.

Examples abound. Great expos like the first World’s Fair at Crystal Palace (1851) the Paris Exposition (1855), the Franco-British exhibition at London’s White City (1908), Century of Progress in Chicago (1933) and the World’s Fair in New York (1964) brought us great attractions that communicated amazing new ideas. The best of these attractions have stood the test of time, because their stories, lessons and inspirations are evergreen. 

Global story-telling
In 2000, we entered the 21st Century and ushered in a new era. The concept of the World Expo evolved with the times (see Hannover Principles). The global issues we face today are large and scary. World Expos empower a world of storytellers using the newest tools and technologies to create stories that spread life changing ideas – giving our children and children’s children the best chance to create a peaceful, healthy and abundant world.

This is the great work that we in the creative and leisure industries were put here to do. As modern storytellers and creators of experiences it’s our job to tackle these issues and provide meaning in the world. 

The difference that we can all make is to, in the words of the great Russian thinker and philosopher, Alexander Herzen, “awaken men by dreaming their dreams more clearly than they dream them themselves”.

We can tell astonishing, transformative stories – like Avatar – that awaken in guests a sense of their own power and possibility. It’s why we’re here.

As the American anthropologist, Margaret Mead, once said: “Never doubt that a small group of thoughtful, committed individuals can change the world. Indeed, it is the only thing that ever has.” That’s us, as an industry. Here. Now. Let’s get busy.

Hannover Principles ­

Design for Sustainability
(prepared for Expo 2000)

- Insist on rights of humanity and nature to co-exist in a healthy, supportive, diverse and sustainable condition.

- Recognize interdependence. The elements of human design interact with and depend upon the natural world, with broad and diverse implications at every scale. Expand design considerations to recognizing even distant effects.

- Respect relationships between spirit and matter. Consider all aspects of human settlement including community, dwelling, industry and trade in terms of existing and evolving connections between spiritual and material consciousness.

- Accept responsibility for the consequences of design decisions upon human well-being, the viability of natural systems and their right to co-exist.

- Create safe objects of long-term value. Do not burden future generations with requirements for maintenance or vigilant administration of potential danger due to the careless creation of products, processes or standards.

- Eliminate the concept of waste. Evaluate and optimize the full life-cycle of products and processes, to approach the state of natural systems, in which there is no waste.

- Rely on natural energy flows. Human designs should, like the living world, derive their creative forces from perpetual solar income. Incorporate this energy efficiently and safely for responsible use.

- Understand the limitations of design. No human creation lasts forever and design does not solve all problems. Those who create and plan should practise humility in the face of nature. Treat nature as a model and mentor, not as an inconvenience to be evaded or controlled.

- Seek constant improvement by the sharing of knowledge. Encourage direct and open communication between colleagues, patrons, manufacturers and users to link long term sustainable considerations with ethical responsibility, and re-establish the integral relationship between natural processes and human activity.


Dubai’s winning bid
On 26 November 2013, the delegates of the Bureau International des Exposition (BIE) chose Dubai as the host of Expo 2020.

Opening dates:
10 October 2020 – 10 April 2021

Theme:
‘Connecting minds, creating the future’

Details
The 1,082-acre (438-hectares) Expo site, on the southwestern edge of Dubai in Jebel Ali, near Dubai’s new Al Maktoum International Airport, is being designed by HOK.

HOK’s design features three separate pavilions created to symbolise opportunity, sustainability and mobility, with ‘innovation pods’ in each thematic zone.

Inspired by the layout of a traditional Arabic souk, the design places larger pavilions to the perimeter while clustering smaller exhibit spaces toward the centre, to promote better visitor interaction.


Past and future Expos
2000 - Hannover, Germany
2005 - Aichi Prefecture, Japan
2008 - Zaragoza, Spain
2010 - Shanghai, China
2012 - Yeosu, South Korea
2015 - Milan, Italy
2017 - Astana, Kazakhstan
2020 - Dubai, United Arab Emirates



Christian Lachel is the executive creative director and VP for BRC Imagination Arts.
Email: [email protected]
Web: www.brcweb.com
(Rich Procter, senior writer for BRC, also contributed to this article).

Given the financial investment, Expos may only attract a limited audience, but the core messages conveyed can have a ripple effect, says Lachel
Given the financial investment, Expos may only attract a limited audience, but the core messages conveyed can have a ripple effect, says Lachel
Ever since the World Expo in Aichi in Japan in 2005, official expo themes have all focused on nature, sustainability, creating a better world
The theme for the World Expo in Dubai in 2020, which is being designed by HOK, is ‘Connecting minds, creating the future’
The theme for the World Expo in Dubai in 2020, which is being designed by HOK, is ‘Connecting minds, creating the future’
The theme for the World Expo in Dubai in 2020, which is being designed by HOK, is ‘Connecting minds, creating the future’
COMPANY PROFILES
iPlayCO

iPlayCo was established in 1999. [more...]
Red Raion

Founded in 2014, Red Raion is the CGI studio for media-based attractions. [more...]
Simworx Ltd

The company was initially established in 1997. Terry Monkton and Andrew Roberts are the key stakeh [more...]
DJW

David & Lynn Willrich started the Company over thirty years ago, from the Audio Visual Department [more...]
+ More profiles  
CATALOGUE GALLERY
 

+ More catalogues  
DIRECTORY
+ More directory  
DIARY

 

08-08 May 2024

Hospitality Design Conference

Hotel Melià , Milano , Italy
10-12 May 2024

Asia Pool & Spa Expo

China Import & Export Fair Complex, Guangzhou, China
+ More diary  
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World expos
Brave new world

Can world expos really raise global awareness about what matters for the planet? Christian Lachel considers how these high profile events can use modern story-telling and technology to help create change in the world

By Christian Lachel | Published in Attractions Management 2014 issue 2


I have many smart, compassionate, public-spirited friends. I was having coffee with one of them when this particular friend said: “The world is in trouble. We’ve got so many challenges it just seems overwhelming.”

She almost ran out of fingers as she used them to tick off the challenges – climate change, population growth, plundering of natural resources, peak oil/dwindling fossil fuels, increased energy demand in emerging nations, and finding enough food to feed the planet. “The bigger the challenge, the less people seem to care. What actually are we doing about these things? What CAN we do?”

All great questions. Do we as individuals care about doing the hard work to ensure humankind has a viable future on Earth? Does our industry care?

I said: “First, let’s acknowledge our own power. We’re storytellers. It’s been our job to give meaning to our world and shape a narrative that awakens the tribe to the perils that lie ahead if we don’t change our behaviour. Our narrative must give a vision for a viable way forward, and inspiration that, together, we can make that vision a reality.”

And then we talked about the cultural narrative, and we discovered a lot of evidence that we – the storytellers – DO care. We ARE doing something. 

Caring for our planet
Let’s start with the single most popular form of out-of-home entertainment ever invented, the feature motion picture – always a harbinger of cultural change. James Cameron’s Avatar is the single most popular motion picture ever made. Underneath all the stunning special effects, the breath-taking action sequences and summer-blockbuster plotting, beats the heart of a profound environmental fable.

Avatar is about our world. In this film, a young man – crippled by war and alienated from an uncaring world, is literally re-born when he connects with a tribe of people who are one with the natural world they inhabit. Our hero heals himself, and becomes a warrior in defence of this powerful natural world. 

Want more evidence? An Inconvenient Truth, World War Z, The Road, Erin Brockovitch, and Princess Mononoke, by the incomparable Hayao Miyazaki. And then there are documentaries like Fast Food Nation, Tapped, King Corn and Food Inc. that highlight the world of the corporate food giants as well as the challenges of feeding the planet.

But that’s just movie-making, right? Yes, but something significant is happening in our business of leisure and entertainment as well. And, as so often happens, this ‘really big thing’ has emerged from what seemed at the time as a small thing – an unsuccessful small thing at that. 

Changing the world story
This narrative shift began in 2000 at a World Expo in Hannover, Germany. 

The theme of the Hannover Expo was ‘Man, Nature, Technology’. This expo was modestly attended, and considered an economic failure for the region. It was here that thought leaders Bill McDonough and Michael Braungart re-introduced The Hannover Principles for sustainable world abundance – which were first commissioned by Hannover in 1991 and first presented at the Earth Summit’s 1992 World Urban Forum.

In 2000, the Hannover Principles (see briefing box) started a revolution. They were then, and still are, audacious, thought-provoking and emphatic. The intention was to subvert that narrative and create an entirely new context for the discussion. This was a revolution. A re-boot. A new story.     

The Hannover Principles inspired the US Green Building Council’s green building programme called LEED, and led to creation of the Cradle to Cradle Products Innovation Institute. The institute is described as a non-profit organisation “created to bring about a new industrial revolution that turns the making of things into a positive force for society, economy, and the planet.”

More importantly, the Principles sparked a cascade of inspiration for the enterprising thought-leaders heading up the next Expos. Consider the themes, always a statement of intention:

Expo 2005, Aichi, Japan – Nature’s Wisdom

Expo 2008, Zaragoza, Spain – Water and Sustainable Development

Expo 2010, Shanghai, China – Better City, Better Life

Expo 2012, Yeosu, South Korea – The Living Ocean and Coast – Preservation and Sustainable Development of the Ocean and Coast. 

The subject of each of these expos was rooted in the Hannover Principles – creating sustainable abundance on planet Earth. So what is the theme for Expo 2015 in Milan, Italy? ‘Feeding the Planet, Energy for Life’.

Steering a new direction
Most people will never go to World Expo, but those who do can be inspired, emotionally awakened, and changed. These guests can inspire others. Like a single pebble in a giant lake, they can send out thought waves that ripple to infinity.

Examples abound. Great expos like the first World’s Fair at Crystal Palace (1851) the Paris Exposition (1855), the Franco-British exhibition at London’s White City (1908), Century of Progress in Chicago (1933) and the World’s Fair in New York (1964) brought us great attractions that communicated amazing new ideas. The best of these attractions have stood the test of time, because their stories, lessons and inspirations are evergreen. 

Global story-telling
In 2000, we entered the 21st Century and ushered in a new era. The concept of the World Expo evolved with the times (see Hannover Principles). The global issues we face today are large and scary. World Expos empower a world of storytellers using the newest tools and technologies to create stories that spread life changing ideas – giving our children and children’s children the best chance to create a peaceful, healthy and abundant world.

This is the great work that we in the creative and leisure industries were put here to do. As modern storytellers and creators of experiences it’s our job to tackle these issues and provide meaning in the world. 

The difference that we can all make is to, in the words of the great Russian thinker and philosopher, Alexander Herzen, “awaken men by dreaming their dreams more clearly than they dream them themselves”.

We can tell astonishing, transformative stories – like Avatar – that awaken in guests a sense of their own power and possibility. It’s why we’re here.

As the American anthropologist, Margaret Mead, once said: “Never doubt that a small group of thoughtful, committed individuals can change the world. Indeed, it is the only thing that ever has.” That’s us, as an industry. Here. Now. Let’s get busy.

Hannover Principles ­

Design for Sustainability
(prepared for Expo 2000)

- Insist on rights of humanity and nature to co-exist in a healthy, supportive, diverse and sustainable condition.

- Recognize interdependence. The elements of human design interact with and depend upon the natural world, with broad and diverse implications at every scale. Expand design considerations to recognizing even distant effects.

- Respect relationships between spirit and matter. Consider all aspects of human settlement including community, dwelling, industry and trade in terms of existing and evolving connections between spiritual and material consciousness.

- Accept responsibility for the consequences of design decisions upon human well-being, the viability of natural systems and their right to co-exist.

- Create safe objects of long-term value. Do not burden future generations with requirements for maintenance or vigilant administration of potential danger due to the careless creation of products, processes or standards.

- Eliminate the concept of waste. Evaluate and optimize the full life-cycle of products and processes, to approach the state of natural systems, in which there is no waste.

- Rely on natural energy flows. Human designs should, like the living world, derive their creative forces from perpetual solar income. Incorporate this energy efficiently and safely for responsible use.

- Understand the limitations of design. No human creation lasts forever and design does not solve all problems. Those who create and plan should practise humility in the face of nature. Treat nature as a model and mentor, not as an inconvenience to be evaded or controlled.

- Seek constant improvement by the sharing of knowledge. Encourage direct and open communication between colleagues, patrons, manufacturers and users to link long term sustainable considerations with ethical responsibility, and re-establish the integral relationship between natural processes and human activity.


Dubai’s winning bid
On 26 November 2013, the delegates of the Bureau International des Exposition (BIE) chose Dubai as the host of Expo 2020.

Opening dates:
10 October 2020 – 10 April 2021

Theme:
‘Connecting minds, creating the future’

Details
The 1,082-acre (438-hectares) Expo site, on the southwestern edge of Dubai in Jebel Ali, near Dubai’s new Al Maktoum International Airport, is being designed by HOK.

HOK’s design features three separate pavilions created to symbolise opportunity, sustainability and mobility, with ‘innovation pods’ in each thematic zone.

Inspired by the layout of a traditional Arabic souk, the design places larger pavilions to the perimeter while clustering smaller exhibit spaces toward the centre, to promote better visitor interaction.


Past and future Expos
2000 - Hannover, Germany
2005 - Aichi Prefecture, Japan
2008 - Zaragoza, Spain
2010 - Shanghai, China
2012 - Yeosu, South Korea
2015 - Milan, Italy
2017 - Astana, Kazakhstan
2020 - Dubai, United Arab Emirates



Christian Lachel is the executive creative director and VP for BRC Imagination Arts.
Email: [email protected]
Web: www.brcweb.com
(Rich Procter, senior writer for BRC, also contributed to this article).

Given the financial investment, Expos may only attract a limited audience, but the core messages conveyed can have a ripple effect, says Lachel
Given the financial investment, Expos may only attract a limited audience, but the core messages conveyed can have a ripple effect, says Lachel
Ever since the World Expo in Aichi in Japan in 2005, official expo themes have all focused on nature, sustainability, creating a better world
The theme for the World Expo in Dubai in 2020, which is being designed by HOK, is ‘Connecting minds, creating the future’
The theme for the World Expo in Dubai in 2020, which is being designed by HOK, is ‘Connecting minds, creating the future’
The theme for the World Expo in Dubai in 2020, which is being designed by HOK, is ‘Connecting minds, creating the future’
LATEST NEWS
The Everyday Heritage initiative celebrates and preserves working class histories
Off the back of the success of the first round of Everyday Heritage Grants in 2022, Historic England is funding 56 creative projects that honour the heritage of working-class England.
Universal announces long-awaited details of its Epic Universe, set to open in 2025
Universal has revealed it will be adding new Harry Potter attractions, alongside Super Nintendo and How to Train Your Dragon worlds to its Florida resort.
Heartbreak for Swedish theme park, Liseberg, as fire breaks out
A fire has destroyed part of the new water world, Oceana, at Liseberg in Sweden, and a construction worker has been reported missing.
Museum director apologises after comparing the city of Florence to a sex worker
Museum director Cecilie Hollberg has come under fire for comparing the city to a sex worker due to uncontrolled mass tourism.
Populous reveals plans for major e-sports arena in Saudi Arabia
Populous have unveiled their plans for a state-of-the-art e-sports arena, designed to stand as a central landmark in Qiddaya City’s gaming and e-sports district, Saudi Arabia.
Raby Castle reveals ambitious plans to become a major visitor destination
Raby Castle, known as one of the finest medieval fortifications in England, is nearing the end of an ambitious two-year renovation project.
Wake The Tiger launches new 1,000sq m expansion
Wake the Tiger, the Bristol-based immersive art experience, is set to open its 1,000sq m expansion on Friday 2 February.
Merlin teams up with Hasbro and Lego to create Peppa Pig experiences
Merlin Entertainments, the LEGO Group and Hasbro have teamed up to create Peppa Pig experiences.
Tate Modern and Frame collaborate on a mind/body experience
London boutique operator, Frame, has teamed up with the Tate Modern to offer two yin and sound yoga classes, following by a tour of the art gallery.
Elvis Presley Live is rolling out globally
Immersive entertainment specialists, Layered Reality, is creating a tribute to Elvis Presley featuring a concert experience with a life-sized digital Elvis.
Carmel Lewis takes top spot at BRC
Carmel Lewis has been appointed president at global experiential planning and design firm, BRC Imagination Arts, heralding a new era for the company.
Perth Museum to launch at Easter with rare Jacobite objects
Opening over Easter weekend in March 2024 after a £26.5m redevelopment project, Perth Museum will tell the story of Perth – Scotland’s first capital.
+ More news   
 
COMPANY PROFILES
iPlayCO

iPlayCo was established in 1999. [more...]
Red Raion

Founded in 2014, Red Raion is the CGI studio for media-based attractions. [more...]
Simworx Ltd

The company was initially established in 1997. Terry Monkton and Andrew Roberts are the key stakeh [more...]
DJW

David & Lynn Willrich started the Company over thirty years ago, from the Audio Visual Department [more...]
+ More profiles  
CATALOGUE GALLERY
+ More catalogues  
DIRECTORY
+ More directory  
DIARY

 

08-08 May 2024

Hospitality Design Conference

Hotel Melià , Milano , Italy
10-12 May 2024

Asia Pool & Spa Expo

China Import & Export Fair Complex, Guangzhou, China
+ More diary  
 


ADVERTISE . CONTACT US

Leisure Media
Tel: +44 (0)1462 431385

©Cybertrek 2024

ABOUT LEISURE MEDIA
LEISURE MEDIA MAGAZINES
LEISURE MEDIA HANDBOOKS
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