When Terri Irwin’s husband Steve died, she suddenly found herself in charge of their business – Australia Zoo. Terri had to adapt quickly to her role as an attractions’ operator, while being a single mum of two and honouring Steve’s legacy. It’s a task most would find overwhelming.
Seven years on, Australia Zoo is thriving and the many conservation projects they set up together to protect wildlife all over the world remain regular beneficiaries of money raised by the Irwin family business.
Located at Beerwah on Queensland’s Sunshine Coast, about an hour north of Brisbane, Australia Zoo is set on 100 acres and is home to more than 1,200 animals. It takes 400 staff and over 100 volunteers to maintain it.
One of the zoo’s USPs is that wildlife shows happen throughout the day, including a midday croc feed in the zoo’s Crocoseum. All money raised from the photo opportunities goes into conservation.
How did you and Steve get started in the zoo industry? We didn’t break even at Queensland Reptile and Fauna Park (their first joint venture, inherited from Steve’s parents), but he saw it as an opportunity to showcase and help all of the wildlife he was so passionate about. The first time I wanted to send out a press release, Steve told me it wasn’t how things were done. But I loved working with Steve – he always challenged me. He was the one with the vision. I would tell him we didn’t have any money but he’d build it anyway.
How difficult was it for you both to break into TV? They (Discovery Channel) didn’t like what we showed them of Steve with the animals. They told us wildlife programmes needed 80 per cent animals, 20 per cent presenter. In ours, Steve was in every shot.
How have you coped during the global financial crisis? We’re social entrepreneurs – it’s what we want to do. Our profit margin isn’t high, but we’re joyful every day. I’m lucky to earn a living doing what I love. I’ve never felt like packing it in and have always honoured Steve’s promise (to keep Australia Zoo open). I have good help – people who are better at this than I am. Plus, I’ve done everything in the business; I’ve cleaned cages, I’ve done the marketing, I know where the cabling is. It’s grown organically, so hasn’t been as daunting as if I’d come straight into this huge business. After Steve died, despite my grief and fear, I was always driven to make things better, not just keep them the same.
What are your key priorities? I run the company with the priority of animals first, staff second and visitors third. If the animals need something, that comes before anything else. If things get tough, we go on the skinny – we don’t can the project. I may not be able to give the tiger unit in Sumatra as much money for their anti-poaching activities, but I still give something and no one at the project loses their job.
How does Steve’s legacy live on at home and at the zoo? Steve stood for so much. He always said he didn’t mind if he got remembered or not, just that his message did. We still use his pictures; he’s the embodiment of the ethics of the Irwin family and Australia Zoo. No one is ever going to come close to him, so we still use him as a major brand of what we do. We couldn’t ever afford in terms of marketing the exposure he gives us and our projects. Right now, Steve’s in 500 million houses in 42 countries.
How do you respond to visitors’ needs at Australia Zoo? At Australia Zoo, there’s no red tape and no bureaucracy. That means, if we get feedback from a visitor to say they want bottle warmers in the baby change rooms for heating formula, we can have them in place by the next day.
How do you raise money to fund the zoo and your projects? At Australia Zoo, we have an Aussie-made shop. It’s not easy to stock it and it’s not that lucrative, but from a social entrepreneurship point of view, it’s helping artists and indigenous communities and, more importantly, it’s building the ethics of who we are and what we stand for. You need to decide whether you’re about making money or changing lives. If you give, you’ll get back.
Do zoos have a responsibility for the future of our animals? Zoos have a responsibility to be a caretaker, not just a showcase for animals. A zoo can be a life-changing experience if you set it up and package it to the guests properly – if you can feel and smell and connect with an animal, it gets into your heart and touches you and you fall in love with it. If visitors see pacing animals, they won’t come back. If you can’t afford to look after the animals properly in big happy environments, don’t have so many.
An opportunity to reimagine one of the UK’s most recognisable towers has been formally
opened by Rivington Hark, as St Johns Beacon invites operators and partners to shape its
next phase. [more...]
When Terri Irwin’s husband Steve died, she suddenly found herself in charge of their business – Australia Zoo. Terri had to adapt quickly to her role as an attractions’ operator, while being a single mum of two and honouring Steve’s legacy. It’s a task most would find overwhelming.
Seven years on, Australia Zoo is thriving and the many conservation projects they set up together to protect wildlife all over the world remain regular beneficiaries of money raised by the Irwin family business.
Located at Beerwah on Queensland’s Sunshine Coast, about an hour north of Brisbane, Australia Zoo is set on 100 acres and is home to more than 1,200 animals. It takes 400 staff and over 100 volunteers to maintain it.
One of the zoo’s USPs is that wildlife shows happen throughout the day, including a midday croc feed in the zoo’s Crocoseum. All money raised from the photo opportunities goes into conservation.
How did you and Steve get started in the zoo industry? We didn’t break even at Queensland Reptile and Fauna Park (their first joint venture, inherited from Steve’s parents), but he saw it as an opportunity to showcase and help all of the wildlife he was so passionate about. The first time I wanted to send out a press release, Steve told me it wasn’t how things were done. But I loved working with Steve – he always challenged me. He was the one with the vision. I would tell him we didn’t have any money but he’d build it anyway.
How difficult was it for you both to break into TV? They (Discovery Channel) didn’t like what we showed them of Steve with the animals. They told us wildlife programmes needed 80 per cent animals, 20 per cent presenter. In ours, Steve was in every shot.
How have you coped during the global financial crisis? We’re social entrepreneurs – it’s what we want to do. Our profit margin isn’t high, but we’re joyful every day. I’m lucky to earn a living doing what I love. I’ve never felt like packing it in and have always honoured Steve’s promise (to keep Australia Zoo open). I have good help – people who are better at this than I am. Plus, I’ve done everything in the business; I’ve cleaned cages, I’ve done the marketing, I know where the cabling is. It’s grown organically, so hasn’t been as daunting as if I’d come straight into this huge business. After Steve died, despite my grief and fear, I was always driven to make things better, not just keep them the same.
What are your key priorities? I run the company with the priority of animals first, staff second and visitors third. If the animals need something, that comes before anything else. If things get tough, we go on the skinny – we don’t can the project. I may not be able to give the tiger unit in Sumatra as much money for their anti-poaching activities, but I still give something and no one at the project loses their job.
How does Steve’s legacy live on at home and at the zoo? Steve stood for so much. He always said he didn’t mind if he got remembered or not, just that his message did. We still use his pictures; he’s the embodiment of the ethics of the Irwin family and Australia Zoo. No one is ever going to come close to him, so we still use him as a major brand of what we do. We couldn’t ever afford in terms of marketing the exposure he gives us and our projects. Right now, Steve’s in 500 million houses in 42 countries.
How do you respond to visitors’ needs at Australia Zoo? At Australia Zoo, there’s no red tape and no bureaucracy. That means, if we get feedback from a visitor to say they want bottle warmers in the baby change rooms for heating formula, we can have them in place by the next day.
How do you raise money to fund the zoo and your projects? At Australia Zoo, we have an Aussie-made shop. It’s not easy to stock it and it’s not that lucrative, but from a social entrepreneurship point of view, it’s helping artists and indigenous communities and, more importantly, it’s building the ethics of who we are and what we stand for. You need to decide whether you’re about making money or changing lives. If you give, you’ll get back.
Do zoos have a responsibility for the future of our animals? Zoos have a responsibility to be a caretaker, not just a showcase for animals. A zoo can be a life-changing experience if you set it up and package it to the guests properly – if you can feel and smell and connect with an animal, it gets into your heart and touches you and you fall in love with it. If visitors see pacing animals, they won’t come back. If you can’t afford to look after the animals properly in big happy environments, don’t have so many.
A new immersive attraction designed to transport visitors into the final hours of ancient Pompeii
is preparing to open near the world-famous archaeological site in southern Italy.
Experience design company, BRC Imagination Arts, has completed a transition that sees founder
Bob Rogers pass ownership of the business to four long-serving senior executives, while
remaining actively involved with the company.
Movie Park Germany has opened a new Paramount Pictures-themed attraction as part of its 30th
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longstanding “Hollywood in Germany” positioning.
Therme Manchester’s 28-acre development, which will include interconnected glass pavilions
that measure 65,000sq m, will be the largest bathing and wellbeing attraction in the world once
complete, according to prof David Russell, CEO of Therme UK.
Efteling has opened Hooghmoed, a new family drop tower designed to broaden the appeal of its
recently launched Sirene Island themed area and introduce younger visitors to thrill attractions.
A proposed Puy du Fou development near Bicester and Universal Destinations and Experiences’
planned resort in Bedford are emerging as part of a wider transformation of the Oxford–
Cambridge Growth Corridor into a major centre for UK leisure and tourism inv
Shedd Aquarium has opened the Immersion Theater developed in partnership with SimEx-
Iwerks, as part of a wider strategy to enhance the guest experience and create additional
revenue opportunities.
The UK government has announced a temporary reduction in VAT on visitor attractions and
children’s meals as part of a summer cost-of-living support package designed to stimulate the
visitor economy and encourage family days out.
As designer Yinka Ilori prepares for his first solo gallery show in London, he speaks exclusively
to CLADmag about his mission to spread joy, the power of play, and his bold approach to using
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The government of Thailand is exploring plans for a THB300bn (£6.3bn, US$8.3bn)
entertainment complex in the country’s Eastern Economic Corridor (EEC), with officials
proposing a large-scale theme park and sports destination as part of a broader tourism and
economic development strategy.
An opportunity to reimagine one of the UK’s most recognisable towers has been formally
opened by Rivington Hark, as St Johns Beacon invites operators and partners to shape its
next phase. [more...]
