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Editor's letter
Supersensory

It’s no longer enough to focus on the ‘Big Five’ senses if you want to fully connect with visitors. Why not engage the senses of danger, balance or justice to create experiences that truly resonate?


As we emerge from the pandemic, pent up demand is seeing people hungry for the adventures they’ve been missing out on.

Memorable experiences are all about triggering sensations, and that’s something the attractions industry has always excelled at, but could we be doing even more?

Museums and attractions have long described themselves as multi-sensory as a result of including exhibits and interactives that appeal to visitors’ core senses of sight, sound, smell, touch and taste.

However, today, we have far more scientific insight into how we can engage a fuller range of senses and there’s an opportunity to use this knowledge to engage visitors in more profound, unusual and creative ways.

In a fascinating interview on page 32, Roto founder, Joseph Wisne, argues it’s time for us to move beyond the sensory to develop ‘supersensory’ experiences that stimulate the full range of senses in all their depth and diversity.

We know humans have far more than the five ‘basic’ senses we were taught about at school. We can now add a sense of danger or pain, and more complex ‘senses’, such as a sense of humour, justice or empathy to the list. All these can be used to tell powerful stories.

We can also use the science of ‘peak experience’ to play with the sense of time and make an experience feel longer than it really is, or get creative and use the senses of proprioception or balance to ‘wake up’ visitors.

This knowledge is being used by pioneers to create richer and more memorable experiences.

One of the most memorable experiences I’ve had was Punchdrunk’s Masque of the Red Death, in which the audience dressed up, the entire Victorian theatre was transformed and the live music, food and drinks were all part of the experience. We could touch the props, see and smell smoke – we were taken on a journey where we felt curious, excited and at times downright uneasy. The fact I shared the experience with friends only deepened its impact.

The success of attractions such as Superblue Miami, the Van Gogh Immersive Experiences and Meow Wolf and teamLab’s art-based attractions show people’s desire to feel fully engaged and stimulated. Static attractions and museums can learn from this to get supersensory and deepen visitors’ connection with what they’re experiencing.

Magali Robathan, Attractions Management editor
[email protected]

COMPANY PROFILES
Mather & Co

We lead the world in incredible museum, exhibition, and attraction design. We work across the herita [more...]
Antonio Zamperla Spa

Founded in 1966, the Antonio Zamperla SPA is privately owned by Mr Alberto Zamperla. Located in Vi [more...]
TOR Systems Ltd

TOR Systems have been in this business since 1981. [more...]
Polin Waterparks

Polin was founded in Istanbul in 1976. Polin has since grown into a leading company in the waterpa [more...]
+ More profiles  
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Red Raion - Keynote | Moby Dick - Friends to the rescue!
It’s extremely important for us to show you the process behind every content we produce. Each of our titles stems from deep research, focused on giving you the kinds of content that best fit your venues and target audience. Find out more...
More videos:
ProSlide's all-in-one waterplay entertainment center – Proslide Tech Inc
Testimonial Richard Needham - SimEx-Iwerks Entertainment – Red Raion
+ More videos  

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©Cybertrek 2023
Jobs    News   Products   Magazine
Editor's letter
Supersensory

It’s no longer enough to focus on the ‘Big Five’ senses if you want to fully connect with visitors. Why not engage the senses of danger, balance or justice to create experiences that truly resonate?


As we emerge from the pandemic, pent up demand is seeing people hungry for the adventures they’ve been missing out on.

Memorable experiences are all about triggering sensations, and that’s something the attractions industry has always excelled at, but could we be doing even more?

Museums and attractions have long described themselves as multi-sensory as a result of including exhibits and interactives that appeal to visitors’ core senses of sight, sound, smell, touch and taste.

However, today, we have far more scientific insight into how we can engage a fuller range of senses and there’s an opportunity to use this knowledge to engage visitors in more profound, unusual and creative ways.

In a fascinating interview on page 32, Roto founder, Joseph Wisne, argues it’s time for us to move beyond the sensory to develop ‘supersensory’ experiences that stimulate the full range of senses in all their depth and diversity.

We know humans have far more than the five ‘basic’ senses we were taught about at school. We can now add a sense of danger or pain, and more complex ‘senses’, such as a sense of humour, justice or empathy to the list. All these can be used to tell powerful stories.

We can also use the science of ‘peak experience’ to play with the sense of time and make an experience feel longer than it really is, or get creative and use the senses of proprioception or balance to ‘wake up’ visitors.

This knowledge is being used by pioneers to create richer and more memorable experiences.

One of the most memorable experiences I’ve had was Punchdrunk’s Masque of the Red Death, in which the audience dressed up, the entire Victorian theatre was transformed and the live music, food and drinks were all part of the experience. We could touch the props, see and smell smoke – we were taken on a journey where we felt curious, excited and at times downright uneasy. The fact I shared the experience with friends only deepened its impact.

The success of attractions such as Superblue Miami, the Van Gogh Immersive Experiences and Meow Wolf and teamLab’s art-based attractions show people’s desire to feel fully engaged and stimulated. Static attractions and museums can learn from this to get supersensory and deepen visitors’ connection with what they’re experiencing.

Magali Robathan, Attractions Management editor
[email protected]

LATEST NEWS
Number of visits to UK attractions are bouncing back says ALVA
Visitor numbers at the UK’s leading attractions have bounced strongly, getting to 78 per cent of pre-pandemic numbers.
World's first Play-Doh attractions to be built in Saudi Arabia by Thinkwell and Seven
Saudi Entertainment Ventures (Seven) has revealed plans to develop and operate the world’s first Play-Doh attractions in Saudi Arabia.
Elev8Fun to expand FEC portfolio - will feature Triotech rides
A new family entertainment centre will open in Tampa, Florida, US, this month (March 2023).
Opening date of US$1bn George Lucas museum set for 2025
A US$1bn museum funded by legendary director, George Lucas, will look to become the world's first to focus exclusively on storytelling through images.
Florida governor strips Disney of special tax district status
The row between Florida's Republican governor, Ron DeSantis, and The Walt Disney Company has escalated, leading to Orlando's Walt Disney World losing its special tax district status.
First ever IAAPA North America Trade Summit to focus on VR and 'authentic reality'
Attendees to IAAPA’s first-ever North America Trade Summit will hear about how the visitor attractions industry has evolved from a service economy into an experience economy.
From opera to raves, Manchester's £186m Factory International cultural centre is aiming to transform the UK's arts and music scene
A £186m cultural centre, set to transform the arts and music scene globally, is set to open its doors later this year.
Carowinds expands to year-round opening, confirms Aeronautica opening for 2023
Carowinds theme park in North Carolina, US, has launched year-round operations this month (January 2023).
Disney hints at new gate for Walt Disney World as part of Lake Nona campus development
Disney has filed a planning application that kickstarts the group's plans to create a future regional campus and HQ in Florida, US.
London's Natural History Museum works with Thoughtworks and Amazon Web Services on Urban Nature project
Natural History Museum has embarked on a project which will turn the iconic museum's London location into a biologically diverse green space.
London to get its own "Garden in the sky", as Camden Highline gets green light
Planning approval has been granted for Camden Highline, a project to transform a section of disused railway into a new elevated urban park for London.
Continuum Attractions takes over Loch Ness attraction and pledge £1.5m investment
Continuum Attractions has acquired The Loch Ness Centre and Exhibition near Inverness, Scotland, UK.
+ More news   
 
COMPANY PROFILES
Mather & Co

We lead the world in incredible museum, exhibition, and attraction design. We work across the herita [more...]
Antonio Zamperla Spa

Founded in 1966, the Antonio Zamperla SPA is privately owned by Mr Alberto Zamperla. Located in Vi [more...]
TOR Systems Ltd

TOR Systems have been in this business since 1981. [more...]
Polin Waterparks

Polin was founded in Istanbul in 1976. Polin has since grown into a leading company in the waterpa [more...]
+ More profiles  
VIDEO GALLERY

Red Raion - Keynote | Moby Dick - Friends to the rescue!
It’s extremely important for us to show you the process behind every content we produce. Each of our titles stems from deep research, focused on giving you the kinds of content that best fit your venues and target audience. Find out more...
More videos:
ProSlide's all-in-one waterplay entertainment center – Proslide Tech Inc
Testimonial Richard Needham - SimEx-Iwerks Entertainment – Red Raion
+ More videos  

CATALOGUE GALLERY
+ More catalogues  
DIRECTORY
+ More directory  
DIARY

 

10-12 May 2023

Asia Pool & Spa Expo

China Import & Export Fair Complex, China
24-27 Oct 2023

Synergy - The Retreat Show

Palmaïa, The House of Aia, Playacar, Playa del Carmen, Mexico
+ More diary  
 


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Leisure Media
Tel: +44 (0)1462 431385

©Cybertrek 2023

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