GET ATTRACTIONS MANAGEMENT
magazine
Yes! Send me the FREE digital edition of Attractions Management and the FREE weekly Attractions Management ezines and breaking news alerts!
Not right now, thanksclose this window
Get Attractions Management digital magazine FREE
Sign up here ▸
Jobs   News   Features   Products   Company profilesProfiles   Magazine   Handbook   Advertise    Subscribe  
Profile
Andreas Andersen

IAAPA’s new chair Andreas Andersen talks Attractions Management’s Tom Anstey through his plans for his year at the helm of the organisation

By Tom Anstey | Published in Attractions Management 2018 issue 1


An IAAPA Attractions Expo marks the start of the tenure of a fresh IAAPA chair. In 2018, the global attractions body has turned to Sweden for leadership, with Liseberg CEO Andreas Andersen taking on the role in what could prove to be a big year for IAAPA as it continues to grow.

What’s your background?
I originally have a background in law. I used to work at the Danish ministry of finance and then in 2000 I became a company lawyer for Tivoli in Copenhagen, Denmark. I didn’t hold the job for very long as I soon got into the operations side of things. I was COO there and then in 2008 I transitioned into a role with IAAPA, where I helped to relaunch the European regional office in Brussels. Two years prior, we had taken over EAS. In 2011, I came to Liseberg, where I am today. I’m a very enthusiastic rollercoaster rider, so that’s really why I love the industry.

You have one year as chair. What do you want to achieve?
It’s not about what I want to achieve, rather what we as a team at IAAPA would like to achieve. It’s about how we can benefit the members because that’s what it’s all about.

There are a few things I care a lot about. Safety is one of them. The work that has been done over many years and also the great focus on safety and security during the past year is something I will continue.

I care a lot about the internationalisation of IAAPA so we can become a truly global body. We’re on that path. We have strong regional offices and more and more members outside North America.

The third thing is sustainability. It’s one of the things that our industry will have to face on a much more structured level in the years to come. It’s one of the things that I would like to put on the agenda.

You take over from Greg Hale. What kind of a legacy is he leaving you? What has he built over the past year?
Greg has been an integral part of everything we, as an association, have achieved when it comes to safety over the past three decades. When it comes to standards, reporting, legislative achievements and lifting the general knowledge in the industry, I don't think you can underestimate the impact he’s had for IAAPA and Disney. He is a champion of safety for our industry.

What’s exciting you most about the industry?
One of the things I think a lot about is how the digital world is affecting our industry. If you take a look at the IAAPA Attractions Expo show floor, you’re seeing much more digital innovation. Whether it’s distribution, marketing, CRM or digital solutions for navigating attractions, the digital world influences how we communicate, develop and sell our product. It also influences the whole competitive situation we’re in. That’s one thing I really think a lot about. It’s something we discuss a lot at an IAAPA level and in my day-to-day work at Liseberg. Nobody wants to end up like Blockbuster. We want to make sure we’re relevant in the future digital marketplace.

Where are you seeing growth in the industry?
The axis of the industry remains to some extent in the East, with development in China, India and the Middle East. It gives both the industry in general – but especially the manufacturers and suppliers – a lot of tailwind. I think that Latin America is an area where we’re going to see growth in the coming years as well. It’s very much to do with the overall economic situation, as well as legislation, so hopefully we’ll see more there.

What are the current strengths of the attractions industry and what can be improved on?
It’s interesting if you look at the industry from a historical perspective. It’s a very resilient industry in the sense that in times when you see a downturn in the general economy, people tend to visit regional parks instead of travelling. When people have money to spend, they tend to go to the destination parks. Its resiliency has to do with the fact that what we are providing is a very fundamental thing. It’s an escape from everyday life, it’s memories, it’s expectations, it’s experiences. I think that that’s fundamental – even in a digital world. That’s the strength of visitor attractions. It’s something that family or friends do together and you do it in real life. It’s something that will always provide a very strong foundation to build on.

What can we do better?
I think the sustainability agenda is knocking on the door. It’s an area where we can do better as an industry. We also have to be very aware of the fact that change is happening faster and faster. As an industry, we have to be very nimble and be able to adapt at a much higher pace.

Queueing is something to think about too. Today we don’t queue in the bank, we don’t queue in the supermarket, everything is online and accessible. We don’t queue, but we expect people to stand in line when they come to a theme park. It’s one of those areas which is a real threat. If we don’t figure it out, it’s one that could become a problem in the future. Tapu Tapu at Volcano Bay, Universal Orlando Resorts, is a good example of innovation, but it’s an area where most of us have to adapt. We have to be quick on our feet and able to change to meet guests’ expectations.

Where do you see the sector expanding?
Twenty years ago, you could categorise an attraction. There were zoos, aquariums, amusement parks and so on. Today, we’re all becoming hybrids. There are two main tracts when it comes to this type of development. The first is this hybridisation: Chimelong Ocean Kingdom, for example, is it a theme park or is it a zoo? The other tract is resortification. Everyone wants to add a hotel. We’ll see continued development in those directions.

100 Years of IAAPA

This year, 2018, IAAPA celebrates its 100th birthday. Marking the success of the global attractions body, IAAPA is relocating its headquarters from Washington, DC, to brand new offices in Orlando, Florida. The organisation also invites all its members and industry professionals to join the festivities during this year’s events:

• IAAPA Leadership Conference
6-9 March, 2018 - Tokyo and Osaka, Japan

• Asian Attractions Expo
5-8 June, 2018 - Hong Kong

• Euro Attractions Show
23-27 September, 2018 - Amsterdam, The Netherlands

• IAAPA Attractions Expo
12-16 November, 2018 - Orlando, Florida

Find out more at www.iaapa100years.org

 



IAAPA officials mark the start of construction on the association’s new offices in Orlando, following relocation from Washington, DC
IAAPA’s 2017 trade show was the organisation’s most successful ever, with 39,000 attendees
IAAPA’s 2017 trade show was the organisation’s most successful ever, with 39,000 attendees
Volcano Bay tackles the problem of queueing with its TapuTapu technology
COMPANY PROFILES
RMA Ltd

RMA Ltd is a one-stop global company that can design, build and produce from a greenfield site upw [more...]
iPlayCO

iPlayCo was established in 1999. [more...]
Vekoma Rides Manufacturing B.V.

Vekoma Rides has a large variety of coasters and attractions. [more...]
Taylor Made Designs

Taylor Made Designs (TMD) has been supplying the Attractions, Holiday Park, Zoos and Theme Park mark [more...]
+ More profiles  
CATALOGUE GALLERY
 

+ More catalogues  
DIRECTORY
+ More directory  
DIARY

 

08-08 May 2024

Hospitality Design Conference

Hotel Melià , Milano , Italy
10-12 May 2024

Asia Pool & Spa Expo

China Import & Export Fair Complex, Guangzhou, China
+ More diary  
LATEST ISSUES
+ View Magazine Archive

Attractions Management

2024 issue 1


View issue contents
View on turning pages
Download PDF
FREE digital subscription
Print subscription

Attractions Management

2023 issue 4


View issue contents
View on turning pages
Download PDF
FREE digital subscription
Print subscription

Attractions Management

2023 issue 3


View issue contents
View on turning pages
Download PDF
FREE digital subscription
Print subscription

Attractions Management

2023 issue 2


View issue contents
View on turning pages
Download PDF
FREE digital subscription
Print subscription

Attractions Management News

06 Apr 2020 issue 153


View on turning pages
Download PDF
View archive
FREE digital subscription
Print subscription

Attractions Handbook

2019


View issue contents
View on turning pages
Download PDF
FREE digital subscription
Print subscription
 
ABOUT LEISURE MEDIA
LEISURE MEDIA MAGAZINES
LEISURE MEDIA HANDBOOKS
LEISURE MEDIA WEBSITES
LEISURE MEDIA PRODUCT SEARCH
 
ATTRACTIONS MANAGEMENT
ATTRACTIONS MANAGEMENT NEWS
ATTRACTIONS HANDBOOK
PRINT SUBSCRIPTIONS
FREE DIGITAL SUBSCRIPTIONS
ADVERTISE . CONTACT US

Leisure Media
Tel: +44 (0)1462 431385

©Cybertrek 2024
Get Attractions Management digital magazine FREE
Sign up here ▸
Jobs    News   Products   Magazine   Subscribe
Profile
Andreas Andersen

IAAPA’s new chair Andreas Andersen talks Attractions Management’s Tom Anstey through his plans for his year at the helm of the organisation

By Tom Anstey | Published in Attractions Management 2018 issue 1


An IAAPA Attractions Expo marks the start of the tenure of a fresh IAAPA chair. In 2018, the global attractions body has turned to Sweden for leadership, with Liseberg CEO Andreas Andersen taking on the role in what could prove to be a big year for IAAPA as it continues to grow.

What’s your background?
I originally have a background in law. I used to work at the Danish ministry of finance and then in 2000 I became a company lawyer for Tivoli in Copenhagen, Denmark. I didn’t hold the job for very long as I soon got into the operations side of things. I was COO there and then in 2008 I transitioned into a role with IAAPA, where I helped to relaunch the European regional office in Brussels. Two years prior, we had taken over EAS. In 2011, I came to Liseberg, where I am today. I’m a very enthusiastic rollercoaster rider, so that’s really why I love the industry.

You have one year as chair. What do you want to achieve?
It’s not about what I want to achieve, rather what we as a team at IAAPA would like to achieve. It’s about how we can benefit the members because that’s what it’s all about.

There are a few things I care a lot about. Safety is one of them. The work that has been done over many years and also the great focus on safety and security during the past year is something I will continue.

I care a lot about the internationalisation of IAAPA so we can become a truly global body. We’re on that path. We have strong regional offices and more and more members outside North America.

The third thing is sustainability. It’s one of the things that our industry will have to face on a much more structured level in the years to come. It’s one of the things that I would like to put on the agenda.

You take over from Greg Hale. What kind of a legacy is he leaving you? What has he built over the past year?
Greg has been an integral part of everything we, as an association, have achieved when it comes to safety over the past three decades. When it comes to standards, reporting, legislative achievements and lifting the general knowledge in the industry, I don't think you can underestimate the impact he’s had for IAAPA and Disney. He is a champion of safety for our industry.

What’s exciting you most about the industry?
One of the things I think a lot about is how the digital world is affecting our industry. If you take a look at the IAAPA Attractions Expo show floor, you’re seeing much more digital innovation. Whether it’s distribution, marketing, CRM or digital solutions for navigating attractions, the digital world influences how we communicate, develop and sell our product. It also influences the whole competitive situation we’re in. That’s one thing I really think a lot about. It’s something we discuss a lot at an IAAPA level and in my day-to-day work at Liseberg. Nobody wants to end up like Blockbuster. We want to make sure we’re relevant in the future digital marketplace.

Where are you seeing growth in the industry?
The axis of the industry remains to some extent in the East, with development in China, India and the Middle East. It gives both the industry in general – but especially the manufacturers and suppliers – a lot of tailwind. I think that Latin America is an area where we’re going to see growth in the coming years as well. It’s very much to do with the overall economic situation, as well as legislation, so hopefully we’ll see more there.

What are the current strengths of the attractions industry and what can be improved on?
It’s interesting if you look at the industry from a historical perspective. It’s a very resilient industry in the sense that in times when you see a downturn in the general economy, people tend to visit regional parks instead of travelling. When people have money to spend, they tend to go to the destination parks. Its resiliency has to do with the fact that what we are providing is a very fundamental thing. It’s an escape from everyday life, it’s memories, it’s expectations, it’s experiences. I think that that’s fundamental – even in a digital world. That’s the strength of visitor attractions. It’s something that family or friends do together and you do it in real life. It’s something that will always provide a very strong foundation to build on.

What can we do better?
I think the sustainability agenda is knocking on the door. It’s an area where we can do better as an industry. We also have to be very aware of the fact that change is happening faster and faster. As an industry, we have to be very nimble and be able to adapt at a much higher pace.

Queueing is something to think about too. Today we don’t queue in the bank, we don’t queue in the supermarket, everything is online and accessible. We don’t queue, but we expect people to stand in line when they come to a theme park. It’s one of those areas which is a real threat. If we don’t figure it out, it’s one that could become a problem in the future. Tapu Tapu at Volcano Bay, Universal Orlando Resorts, is a good example of innovation, but it’s an area where most of us have to adapt. We have to be quick on our feet and able to change to meet guests’ expectations.

Where do you see the sector expanding?
Twenty years ago, you could categorise an attraction. There were zoos, aquariums, amusement parks and so on. Today, we’re all becoming hybrids. There are two main tracts when it comes to this type of development. The first is this hybridisation: Chimelong Ocean Kingdom, for example, is it a theme park or is it a zoo? The other tract is resortification. Everyone wants to add a hotel. We’ll see continued development in those directions.

100 Years of IAAPA

This year, 2018, IAAPA celebrates its 100th birthday. Marking the success of the global attractions body, IAAPA is relocating its headquarters from Washington, DC, to brand new offices in Orlando, Florida. The organisation also invites all its members and industry professionals to join the festivities during this year’s events:

• IAAPA Leadership Conference
6-9 March, 2018 - Tokyo and Osaka, Japan

• Asian Attractions Expo
5-8 June, 2018 - Hong Kong

• Euro Attractions Show
23-27 September, 2018 - Amsterdam, The Netherlands

• IAAPA Attractions Expo
12-16 November, 2018 - Orlando, Florida

Find out more at www.iaapa100years.org

 



IAAPA officials mark the start of construction on the association’s new offices in Orlando, following relocation from Washington, DC
IAAPA’s 2017 trade show was the organisation’s most successful ever, with 39,000 attendees
IAAPA’s 2017 trade show was the organisation’s most successful ever, with 39,000 attendees
Volcano Bay tackles the problem of queueing with its TapuTapu technology
LATEST NEWS
The Everyday Heritage initiative celebrates and preserves working class histories
Off the back of the success of the first round of Everyday Heritage Grants in 2022, Historic England is funding 56 creative projects that honour the heritage of working-class England.
Universal announces long-awaited details of its Epic Universe, set to open in 2025
Universal has revealed it will be adding new Harry Potter attractions, alongside Super Nintendo and How to Train Your Dragon worlds to its Florida resort.
Heartbreak for Swedish theme park, Liseberg, as fire breaks out
A fire has destroyed part of the new water world, Oceana, at Liseberg in Sweden, and a construction worker has been reported missing.
Museum director apologises after comparing the city of Florence to a sex worker
Museum director Cecilie Hollberg has come under fire for comparing the city to a sex worker due to uncontrolled mass tourism.
Populous reveals plans for major e-sports arena in Saudi Arabia
Populous have unveiled their plans for a state-of-the-art e-sports arena, designed to stand as a central landmark in Qiddaya City’s gaming and e-sports district, Saudi Arabia.
Raby Castle reveals ambitious plans to become a major visitor destination
Raby Castle, known as one of the finest medieval fortifications in England, is nearing the end of an ambitious two-year renovation project.
Wake The Tiger launches new 1,000sq m expansion
Wake the Tiger, the Bristol-based immersive art experience, is set to open its 1,000sq m expansion on Friday 2 February.
Merlin teams up with Hasbro and Lego to create Peppa Pig experiences
Merlin Entertainments, the LEGO Group and Hasbro have teamed up to create Peppa Pig experiences.
Tate Modern and Frame collaborate on a mind/body experience
London boutique operator, Frame, has teamed up with the Tate Modern to offer two yin and sound yoga classes, following by a tour of the art gallery.
Elvis Presley Live is rolling out globally
Immersive entertainment specialists, Layered Reality, is creating a tribute to Elvis Presley featuring a concert experience with a life-sized digital Elvis.
Carmel Lewis takes top spot at BRC
Carmel Lewis has been appointed president at global experiential planning and design firm, BRC Imagination Arts, heralding a new era for the company.
Perth Museum to launch at Easter with rare Jacobite objects
Opening over Easter weekend in March 2024 after a £26.5m redevelopment project, Perth Museum will tell the story of Perth – Scotland’s first capital.
+ More news   
 
COMPANY PROFILES
RMA Ltd

RMA Ltd is a one-stop global company that can design, build and produce from a greenfield site upw [more...]
iPlayCO

iPlayCo was established in 1999. [more...]
Vekoma Rides Manufacturing B.V.

Vekoma Rides has a large variety of coasters and attractions. [more...]
Taylor Made Designs

Taylor Made Designs (TMD) has been supplying the Attractions, Holiday Park, Zoos and Theme Park mark [more...]
+ More profiles  
CATALOGUE GALLERY
+ More catalogues  
DIRECTORY
+ More directory  
DIARY

 

08-08 May 2024

Hospitality Design Conference

Hotel Melià , Milano , Italy
10-12 May 2024

Asia Pool & Spa Expo

China Import & Export Fair Complex, Guangzhou, China
+ More diary  
 


ADVERTISE . CONTACT US

Leisure Media
Tel: +44 (0)1462 431385

©Cybertrek 2024

ABOUT LEISURE MEDIA
LEISURE MEDIA MAGAZINES
LEISURE MEDIA HANDBOOKS
LEISURE MEDIA WEBSITES
LEISURE MEDIA PRODUCT SEARCH
ATTRACTIONS MANAGEMENT NEWS
ATTRACTIONS HANDBOOK
PRINT SUBSCRIPTIONS
FREE DIGITAL SUBSCRIPTIONS