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Elizabeth de Portzamparc completes futuristic Roman museum next to ancient amphitheatre
POSTED 17 Oct 2017 . BY Kim Megson
The design seeks to contrast the ancient heritage of the Arena of Nîmes with contemporary architecture Credit: Serge Urvoy

Credit: Agence Elizabeth de Portzamparc
The soft and horizontal undulations, the predominance of glass, the transparence and the lightness contrast with the verticality of the arena’s stone arches
– Elizabeth de Portzamparc
A futuristic home has been built for a Roman museum in the French city of Nîmes – in stark contrast to the real-life Roman amphitheatre next door.

Construction has been completed ahead of the opening of the Musée de la Romanité de Nîmes in June 2018, with 5,000 exhibits from a collection of 25,000 set to move in over the coming months.

Architect Elizabeth de Portzamparc is behind the striking, fluid, design, which seeks to contrast the ancient heritage of the Arena of Nîmes amphitheatre with contemporary architecture.

The museum has a transparent ground floor from which visitors can view the Arena, topped by a shimmering glass façade. From a distance, the building appears to be hovering above the ground.

“Designing light architecture, made possible by current technology, seemed the obvious thing to me, as well as expressing the differences between these two forms of architecture through a dialogue based on their complementarity,” said de Portzamparc.

“The soft and horizontal undulations, the predominance of glass, the transparency and the lightness contrast with the verticality of the arena’s stone arches and the imposing mass that has stood there for nearly two millennia.

“As a result, on one side of the site, there is a large cylindrical volume surrounded by the Roman arches, on the other, a large square volume, which seems to be floating and entirely draped in a toga of pleated glass.”

The distinctive exterior supports 6,708 glass strips across a surface of 2,500sq m (27,000sq ft). Each holds seven screen-printed square tiles, created to evoke the Roman mosaics exhibited inside the museum and to create a sense of movement through the changing reflections of light during the day.

Inside, slender columns are distributed to maximise exhibition spaces and to form a monolithic ensemble without expansion joints. The flat surfaces of the interior simplify the primary building structure, allowing for free expression of the curves in the glass panels on the exterior.

In addition to galleries dedicated to Roman history and presence in the city, there is a 180-capacity auditorium, a bookshop, a documentation centre, a restaurant, a cafe and 3,400sq m (36,600sq ft) of gardens. A roof terrace offers visitors a panoramic view over the entire city, with the Arena in the foreground.

While the building is already complete, the installation of the collections and the museum’s opening are scheduled for June 2018. It will exhibit 5,000 works, out of a collection of around 25,000 pieces.

The museum has been built to anchor the city’s cultural expansion, attracting tourists from home and abroad. The metropolitan government has provided €35.8m (US$42m, £32m) of the project’s total €59.5m (US$70m, £53m) budget.
The museum has a transparent ground floor – from which visitors can view the Arena – topped by a shimmering glass façade Credit: Serge Urvoy
The distinctive exterior supports 6,708 glass strips across a surface of 2,500sq m (27,000sq ft) Credit: Serge Urvoy
Each glass strip holds seven screen-printed square tiles, created to subtly evoke the Roman mosaics exhibited inside the museum Credit: Serge Urvoy
While building is already complete, the installation of the collections and the museum’s opening are scheduled for June 2018 Credit: Serge Urvoy
The museum has been built to anchor the city’s cultural expansion; attracting tourists from home and abroad Credit: Serge Urvoy
The exterior creates a sense of movement through the reflections of light through the day Credit: Serge Urvoy
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NEWS
Elizabeth de Portzamparc completes futuristic Roman museum next to ancient amphitheatre
POSTED 17 Oct 2017 . BY Kim Megson
The design seeks to contrast the ancient heritage of the Arena of Nîmes with contemporary architecture Credit: Serge Urvoy
Credit: Agence Elizabeth de Portzamparc
The soft and horizontal undulations, the predominance of glass, the transparence and the lightness contrast with the verticality of the arena’s stone arches
– Elizabeth de Portzamparc
A futuristic home has been built for a Roman museum in the French city of Nîmes – in stark contrast to the real-life Roman amphitheatre next door.

Construction has been completed ahead of the opening of the Musée de la Romanité de Nîmes in June 2018, with 5,000 exhibits from a collection of 25,000 set to move in over the coming months.

Architect Elizabeth de Portzamparc is behind the striking, fluid, design, which seeks to contrast the ancient heritage of the Arena of Nîmes amphitheatre with contemporary architecture.

The museum has a transparent ground floor from which visitors can view the Arena, topped by a shimmering glass façade. From a distance, the building appears to be hovering above the ground.

“Designing light architecture, made possible by current technology, seemed the obvious thing to me, as well as expressing the differences between these two forms of architecture through a dialogue based on their complementarity,” said de Portzamparc.

“The soft and horizontal undulations, the predominance of glass, the transparency and the lightness contrast with the verticality of the arena’s stone arches and the imposing mass that has stood there for nearly two millennia.

“As a result, on one side of the site, there is a large cylindrical volume surrounded by the Roman arches, on the other, a large square volume, which seems to be floating and entirely draped in a toga of pleated glass.”

The distinctive exterior supports 6,708 glass strips across a surface of 2,500sq m (27,000sq ft). Each holds seven screen-printed square tiles, created to evoke the Roman mosaics exhibited inside the museum and to create a sense of movement through the changing reflections of light during the day.

Inside, slender columns are distributed to maximise exhibition spaces and to form a monolithic ensemble without expansion joints. The flat surfaces of the interior simplify the primary building structure, allowing for free expression of the curves in the glass panels on the exterior.

In addition to galleries dedicated to Roman history and presence in the city, there is a 180-capacity auditorium, a bookshop, a documentation centre, a restaurant, a cafe and 3,400sq m (36,600sq ft) of gardens. A roof terrace offers visitors a panoramic view over the entire city, with the Arena in the foreground.

While the building is already complete, the installation of the collections and the museum’s opening are scheduled for June 2018. It will exhibit 5,000 works, out of a collection of around 25,000 pieces.

The museum has been built to anchor the city’s cultural expansion, attracting tourists from home and abroad. The metropolitan government has provided €35.8m (US$42m, £32m) of the project’s total €59.5m (US$70m, £53m) budget.
The museum has a transparent ground floor – from which visitors can view the Arena – topped by a shimmering glass façade Credit: Serge Urvoy
The distinctive exterior supports 6,708 glass strips across a surface of 2,500sq m (27,000sq ft) Credit: Serge Urvoy
Each glass strip holds seven screen-printed square tiles, created to subtly evoke the Roman mosaics exhibited inside the museum Credit: Serge Urvoy
While building is already complete, the installation of the collections and the museum’s opening are scheduled for June 2018 Credit: Serge Urvoy
The museum has been built to anchor the city’s cultural expansion; attracting tourists from home and abroad Credit: Serge Urvoy
The exterior creates a sense of movement through the reflections of light through the day Credit: Serge Urvoy
MORE NEWS
The Everyday Heritage initiative celebrates and preserves working class histories
Off the back of the success of the first round of Everyday Heritage Grants in 2022, Historic England is funding 56 creative projects that honour the heritage of working-class England.
Universal announces long-awaited details of its Epic Universe, set to open in 2025
Universal has revealed it will be adding new Harry Potter attractions, alongside Super Nintendo and How to Train Your Dragon worlds to its Florida resort.
Heartbreak for Swedish theme park, Liseberg, as fire breaks out
A fire has destroyed part of the new water world, Oceana, at Liseberg in Sweden, and a construction worker has been reported missing.
Museum director apologises after comparing the city of Florence to a sex worker
Museum director Cecilie Hollberg has come under fire for comparing the city to a sex worker due to uncontrolled mass tourism.
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Raby Castle reveals ambitious plans to become a major visitor destination
Raby Castle, known as one of the finest medieval fortifications in England, is nearing the end of an ambitious two-year renovation project.
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COMPANY PROFILES
QubicaAMF UK

QubicaAMF is the largest and most innovative bowling equipment provider with 600 employees worldwi [more...]
RMA Ltd

RMA Ltd is a one-stop global company that can design, build and produce from a greenfield site upw [more...]
instantprint

We’re a Yorkshire-based online printer, founded in 2009 by Adam Carnell and James Kinsella. [more...]
Simworx Ltd

The company was initially established in 1997. Terry Monkton and Andrew Roberts are the key stakeh [more...]
+ More profiles  
CATALOGUE GALLERY
+ More catalogues  
DIRECTORY
+ More directory  
DIARY

 

08-08 May 2024

Hospitality Design Conference

Hotel Melià , Milano , Italy
10-12 May 2024

Asia Pool & Spa Expo

China Import & Export Fair Complex, Guangzhou, China
+ More diary  
 


ADVERTISE . CONTACT US

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Tel: +44 (0)1462 431385

©Cybertrek 2024

ABOUT LEISURE MEDIA
LEISURE MEDIA MAGAZINES
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